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Mini Sledgehammer: December

Ah, the holidays. Apparently it’s my time of year to be late for everything. Sorry for my tardy prompt posting. If you’re writing from home, monitor your time yourself, post your story on your own blog or website, and then leave your link in a comment below!

character: transit driver
action: surprising someone
prop: sparkly wrapping paper
setting: traffic jam

Congratulations to Fufkin Vollmayer, a first-time Sledgehammer participant, whose story ran away with the prizes!

***

“Untitled”
by Fufkin Vollmayer

My breasts are leaking and it’s rush hour in the rain and because of the rain the Muni metro shuts down. We’re in the big tunnel from downtown to the Castro and Javier is just making noise. It’s that gnawing noise familiar to every new mom, the kind that the nurse who posed as a lactation consultant explained to me, “See those little movements of his head and his lips parting, that’s rooting.” I stared at her dumbfounded, rooting as in a fruit tree or bulbs in the fall? so she went on, “Rooting means he’s looking for the breast, so it’s a good thing.”

Anyway the rain has shut the tunnel down and the overhead lights of the train flicker on and off, like a disco ball right inside the steamy crowded train that’s bound for the outer Sunset. Someone’s got Chinese takeout, because I can smell it from here.

Javier is revving up to a whimper and even though it’s crowded, all of us packed in like sardines and damp and mushy, I am going to have disengage him from the baby Bjorn, undo my raincoat and get my breast out. Out and in public. Maybe with the lights going on and off like last call, maybe no one will notice.

To the teenager next to me, who’s silent and focused in some deep way on their i-Pod, I say, “Excuse me, I need to sort of elbow you to get the baby out.” He stares at me, maybe not hearing. Or hearing and not caring.

He doesn’t move an inch, doesn’t even blink.

Now Javier is crying, and it’s that piercing cry of the newborn, a bleat, a thin wail so primal and high, it’s excrutiating. Like some illustration out of the nursing manual, I leak into my thick padded nursing bra. Too late, it’s gone straight through to the shirt.

As I start to elbow the silent, sullen teen next to me, “I’m sorry, oh I apologize, shit,” and then as I accidentally hit him with my elbow, “Please forgive me.”

He spits out, “You can not do that no you cannot. I talk to the bus driver. Right now.”

Well, we’re stopped anyway, go right ahead. And with that, he pulls out an a white ear bud from his thick black skunk head style of hair and pushes his way up to the front. We’re not too far from the front, so he pounds on the driver’s bullet proof glass.

Finally, the driver, like a teller at a liquor store that doesn’t sell wine, only coolers and fifths and endless varieties of rum, she looks at him. She looks about forty or so, her brown institutional uniform, the one that I grew up looking at twice a day as I road the bus to and from school, her uniform is shiny from too much ironing. The yellow letters and MUNI insignia remind of a forest ranger. Maybe that’s what she is, a forest ranger and we’re all the wild life.

“She is doing something bad. Not right. Her, over there,” and the teen who’s taken both the ear buds out, puts his elbow into his chest because there’s not even enough room for him to give a full extended point.

The driver looks at me, and I dread what could be the inevitable break down. I know the look. Middle aged African American woman giving me, the blue-eyed white woman the once over. All those years on her bus when, as a teen myself, all I ever did was to keep the brothers who followed me, sat next me and knocked their knees into my thigh, and talked to me, Oh Miss White, what you doing? Lemme take you home.

Or maybe in my haze of no sleep and new baby and the lights dimming on and off like a metronome, maybe I am misreading her face.

The high crackle of the walkie-talkie comes through and she picks up the radio and listens to the report about the flooding in the tunnel, Uh-huh, how long? Well, we just wait then.

“So what you going to do about her,” i-Pod teen asks, again.

“Nothing.”

Javier starts a full forced cry. There are no other babies on the train, just big kids. Dark I want the dark to return, because then I can pull a Houdini move and maneuver Javier out of the Bjorn, under my jacket, up through the loose tunnel of my crappy shirt and close to his target. Get him and judging from all the faces on the train, the people who might be staring, get him nursing.

“No, not right.”

“Actually, it’s a public place.”

I smile and nod and shove Javier on to my boob and the moment we’ve all been waiting for, the latch, it happens.

We’re in the dark, and the closely calibrated trains, they’re all piling up. It’s gridlock in the tunnel as two trains in a row, with big round headlights, a full moon illuminating the pitch black darkness of the tunnel with no light, no light at all, the full moons are lighting them up. There’s a traffic jam and it’s completely silent.

The pneumatics of the door exhale as the driver sits there. The teen next to me, sits down again and bumps my arm and I’d totally forgotten about the package wrapped in crinkly wrapping paper that I’d shoved into my back pack, the birthday present for Granny Doe, the one I’d dragged little Javier out in the rain, out of his cocoon, to Macy’s, all to buy Granny Doe some plates to match her set from her wedding.

The driver now gets up and comes down the aisle, to avert the panic, “There’s flooding in the tunnel, a back up with an accident on the line outside, we’ll be moving in about ten minutes.”

As she passes me, she looks down, and looks at me and stares, “Well hello Karen, long time.”

“Excuse me?”

“How ya doin’?”

I stare and again that bovine look of stupidity must be overtaking my face, the one caused by exhaustion.

“It’s me. Deborah.”

“From Lowell?”

And she starts laughing and shaking her head and all the backstory that wound through the short fuse known as my brain, vanished.

“Yeah, you got it.”

“Hey. Hey Deborah.”

We looked at each other, right in the eyes. Deborah who I went to Lowell with. Deborah who smoked pot with me down in the pit. Who brought her plaid thermos full of milk and bourbon to school. We used to laugh and laugh, could’ve been the pot, could’ve been finally figuring out the George Clinton’s liner notes, Some of my Best Friends are Jokes.

We laughed and Javier nursed and the lights came back and stayed on.

© 2010 Fufkin Vollmayer

***

Fufkin Vollmayer worked as a journalist before kids and is finishing a memoir of the whole goofy enterprise known as single parenting, anonymous donor insemination, and having absolutely no idea on how to be a good mom owing to Really Terrible Parents (warning, alcoholism and mental illness and living in Reno, Nevada, are covered) in her upcoming book, “Because You Love Them Like Crazy.”

Mini Sledgehammer: November Bonus

We had a great time at the November Bonus Mini Sledgehammer at Third Street Books in McMinnville. We were joined by three creative writers and inspired by the book displays and holiday lights. ‘Tis the season!

Congratulations to Theresa Homolac and Daryll Alt, who each took home a prize package. We were impressed by your stories!

Prompts:
Character: a cartoon character
Setting: in a bookstore
Dialogue: “You’re not from around here, are you?”
Prop: umbrella

***

“Untitled”

by Theresa Homolac

“You’re not from around here, are you?”

The voice startles me. I give my umbrella a final shake, splattering water on the mat in front of the doorstep, and look around. Nobody. Must be a radio.  I step inside the bookstore.

The lady at the front register waves at me. I nod in return then walk toward the mystery section. I’m in the mood for crime.

The voice comes again as I thumb through an Agatha Christie classic. “You’re not from around here, are you?”

I flip the book over. Look around. “What’s it to you?” I ask.

The voice laughs. “Got you thinking you’re crazy, don’t I?”

“Hell no,” I say. “Only crazies won’t show their face.” I put the murder mystery down and walk to the children’s section. Glance around. Still nobody.

“So what’s your game?” I ask.

“No game,” the voice says. “Just that you’re not from around here, are you?”

I glance at the lady at the front desk. She’s shuffling a sales ledger. I grab a Charlie Brown kid’s book. Thrust it inside my coat.

“Gotta be so rough?” the voice says.

I don’t reply. Instead, shift the umbrella to my right hand, nod at the lady at the front register, and walk back out into the rain.

“You definitely aren’t from around here,” says the voice.

I smile. “Got that part right,” I say.

© 2010 Theresa Homolac

***

“The Morning After the Past Before”

by Daryll Alt

I’ve traveled through time and I’ve traveled through space.  I’ve memories laden with faces, and places, and feelings.  Childhood fled far too fast.  Loves and lovers have been both too few and too often lost.

In moments like these, in times like now, I am reminded of the philosopher, Bugs Bunny, who said, “What’s up, Doc?”  Indeed.

So often it was me in the driver’s seat.  Master of my own destiny.  Steering my life through, over, and around the bystanders I managed to notice.

Seemed to me I was always headed somewhere else.

“You’re not from around here.”  Was a common refrain.

The past.  Always running from it.  The future.  Always running to it.  It seemed like a simple thing.  I figured I wanted to get laid.  I figured she was lonely.  It happened before.

Play a few songs on an old beat up guitar in a coffee house, on a sidewalk, in a park, at a bookstore.  Lonely shows up everywhere.  I was thinking I knew it.  It sure as hell knew me, really, really well.

It caught me off guard.  It put me in the here.  It made me face now.  She was there.  Then she wasn’t.

Closing time was coming quick.  The owner of tonight’s venue was wrapping up and I glanced at my hat.  Six bucks.  Damn!  I realized it wasn’t so much about getting laid as it was about a shower and a soft bed.

So much for the here and now.  Put Old Guitar back in it’s case and, like the song says, “Hit the road.”  Of course it was raining.

I picked up my backpack and slung it over a shoulder.  Old Guitar and me moving on, now.  I looked out the window, and there she was.  Her raincoat was yellow.  So were her shoes.  Her umbrella was black.

I’ve traveled through time and I’ve traveled through space.  This one is something.  Maybe my traveling days are done.

© 2010 Daryll Alt

Mini Sledgehammer: November 2010

We had two Pams and a Pamela at this month’s Mini Sledgehammer, which almost swayed us to make one of the writing prompts someone named Pam–or a variation thereof–but we held strong with our pre-chosen prompts.

Prompts:
Character: spy
Action: painting
Setting: amid a scheduling conflict
Dialogue: “Spare some change?”

Congratulations to Pam Bejerano, who stole the prize!

***

Pam Bejerano

Henry stood staring at the work. It was a live exhibit and the canvass, it seemed, was being attacked by the artist rather than being painted. The man would stand for minutes, neither a muscle nor a strand of hair moving. Then suddenly he would burst into life, throwing, spraying paint, some even hitting the canvass. His grunts and moans of ecstasy made Henry feel he was intruding on a private encounter rather than watching someone paint.

“That’s the strangest thing I’ve ever seen.”

Henry turned to see the source of the voice. A young woman stood, watching the painter with an expression he could only imagine matched his own. She was his age, he hoped, with very curly black hair going off in several directions. Her clothes were comfortably disheveled, giving a slight air of purpose in their arrangement. She looked up at him and smiled.

“Yeah,” was the only brilliant line he found. Looking around desperately, he spotted the title and pointed to it. “Can you spare some change?” he whispered. She looked at him, her eyebrows wrinkling together above her nose. “The title,” he said, pointing again. “It’s called, ‘Can You Spare Some Change?'”

She read the name and they both immediately covered their mouths as laughter spilled out. With a dirty glare thrown at them by the artist they quickly turned and ran away. They were still laughing as they stumbled down the stairs into the main lobby.

“I’m Helen,” she said, still trying to catch her breath. “You must be Henry.”

For the first time in three months Henry had been forced to say yes to his co-worker Jake’s insistance on a blind date.

“She’s an old friend. You’ll love her, I swear.”

Henry usually claimed he couldn’t attend previous attempts to set them up due to scheduling conflicts. But tonight, he and his coworker both were supposed to be at a board meeting that was cancelled, so he was free. And now, here she was. And damn if Jake wasn’t right.

As the evening wore on his ease with her made it feel like he had known her forever. They ate dinner at South Park, finishing a bottle of wine then moving into the bar to start another. After that they walked the waterfront, talking, laughing. She did an amazing impersonation of the artist that made him laugh so hard his side hurt. By the time she said she had to go, it was midnight, and he was in love.

“I’ve had a really good time tonight, Henry,” she said, both hands clutching her purse.”

“Yeah, me too. You know,” he said, plunging his hands deep into his pockets, “it’s been a really long time since I’ve been out with anyone.”

Helen nodded, “I know.”

Henry paused and looked at her. “How do you know?”
“Well,” her voice suddenly tightened as her gaze scanned the street. “Well, that’s what, um, your friend, that’s what he said. That it had been a long time.”

“What friend?”

“You know, the one you work with.”

“The one you’ve been friends with for 10 years? That one?”

Helen laughed. “Yeah, of course.”

“Helen, what’s going on? Jake said you were old friends. If he set me up with a stranger…”

“No, no, it’s not his fault.”

“Fault?” Henry felt his neck go red.

Once, once in his life, he had agreed to a blind date. By the time he made it home that night with one shoe, no money and a broken nose he swore he would never go on a another blind date again. And yet here he was, on a blind date with a woman who was lying through her teeth.

“I’ve gotta go.” He said, and turned to leave. “You can tell Jake to go fuck himself.”

“Wait, wait.” Helen was suddenly in front of him, blocking his path. “Wait Henry, please. This isn’t Jake’s fault. I’ve never even met Jake.” Henry glared at her, crossing his arms in front of his chest. “I’m a spy.”

“A what?” Of all the stories he expected to hear this was not one of them.

“I’m a spy. I don’t know who Jake is, but my friend Amanda told me to come here tonight and find someone named Henry. I was supposed to report back to her if you were…well…I mean…”

“Good looking enough to go on an actual date with?” Henry was fuming.

“No.” Helen took a deep breath. “The marrying type,” she said, her cheeks flushing in the street light.

“Well?” It was the only response he could find.

“I think I’m going to tell her no,” she said as she reached up and gave him a long, slow, kiss.

© 2010 Pam Russell Bejerano

***

Pam Russell Bejerano is a writer who works as an ESL director in Portland, Oregon. Pam has published a poem and was invited to read a short story at the Cannon Beach Historical Society. She is currently working on a novel to be completed in 2011. Pam’s blog can be found at http://clumsyseeker.blogspot.com/.

Mini Sledgehammer: October 2010

We’re back at the Minis after the big event in September, and ready to roll! If you write from home, post a link, and we’ll connect to it on our social networks!

Prompts:
Character: marathon runner
Action: making a cheese plate
Setting: haunted house
Prop: business cards

Congratulations to Wendy Grant, who took home the prizes this month with a great story.

***

Jackson is a runner. He has a sweat band and expensive socks and breathable shirts. But after he ran a marathon, he took it to another level. He started wearing a heart rate monitor to work. He does data entry. He enters some data and announces his resting hear rate.

“I’m a marathoner,” he tells people he meets. He buys a vanilla latte at Starbucks, checks his heart rate monitor, and explains to the bewildered barista that he’s a marathoner.

No one knows what to say to that, except something vaguely complimentary, like, “Wow, good for you,” or something inappropriately self-deprecating like, “Oh, I can’t run at all. I’m such a loser.”

He even got business cards made. They say Jackson Lowery, Marathoner, and his e-mail address: marathonjackson@hotmail.com.

The truth is, Jackson did run in a marathon. But he didn’t run the entire thing. Oh, he wasn’t sidelined by an injury or pushed to the ground by a passing Kenyan. No. He was on his freaking iPhone during the marathon, calling people.

“What are you doing?” they asked as he panted in their ears.

“I’m running a marathon,” he said.

He called me while I was making a cheese plate. It’s really hard to get the brie—you know, the yummy, gooey, cheesy part—out of the crappy wax layer, so I was struggling to hold the phone while I wrestled with the brie, and I accidentally hung up on him. Undaunted, Jackson called me right back.

“Aren’t you going to ask me what I’m doing?” he asked.

“Aren’t you going to ask me what I’m doing” I asked.

There was a long pause: the dawning revelation.

“Oh. Yeah. What are you doing?”

“Getting an exorcism.”

“Really?”

“Yeah. My house is haunted, and now the evil spirits are all up in me. There’s nothing else I can do.”

“An exorcism! I’d really like to see that!” he panted.

“Well, come on over,” I said.

“But I’m running—”

“GOBBLEDY GOBBLEDY GOOK!” I screamed. “Sorry. Evil spirits.”

“That’s so cool! I’ll be right over.”

I returned to the brie.

*          *          *

Jackson was not soothed by the cheese plate.

© 2010 Wendy Grant

Wendy M. Grant is a writer and editor. She’s written innumerable advertisements, newsletters, and brochures, and she co-authored a book on the history of Naval Air Station Miramar. When she’s not writing and editing for the clients of her company, W-inkling, she works on her screenplay, which she plans to sell in 2011.

Mini Sledgehammer: August 2010

We had a thin crowd here this month, but four of us here still had a good time writing. Congratulations to Elissa Nelson, whose story took home the prizes!

Prompts
Character: a new neighbor
Setting: locked out
Action: playing the cello
Dialogue: “busier than a one-armed paper hanger”

Julie is writing frantically, with a nine a.m. deadline in the morning, nine a.m. east coast time so this really has to get done now. It’s one of those articles you take because you need the money, and then you think So this is making a living from my writing, using my gift, my talent.

She interviewed a woman who’s started what is essentially a pyramid scheme, but the woman, Phyllis Camera, calls it entrepreneurial, and it’s for WorkingLadies.com, so it’s entrepreneurial, it’s not a pyramid scheme. If it was for Fortune, or Ms., it might be about pyramid schemes and using feminism and capitalism to prey on poor mothers who feel they should be full-time moms and have successful careers, simultaneously. She could tell them that’s not possible, but nobody’s supposed to tell them it’s not possible.

Phyllis is an older lady, and no, her last name isn’t Camera, it’s McManus, but Camera goes better with her business concept, which is about using adorable photos of children and pets to create serieses of postcards for all occasions.

Julie is trying to wax super-positive about the postcards—the story will be accompanied by a selection of images, including several of children in sweet and homemade costumes ranging from bumble bee to carrot (with the green top, of course—she had to look it up because what do you call the green top part? carrot greens of course). She’s crafting a description that includes “entrepreneurial and forward-thinking, without losing the caring vision of a loving mother, the vision which makes Mrs. Camera’s postcards endearing and universal” when the doorbell rings.

She doesn’t answer it. It’s eight p.m., she plans to stop for dinner once she finishes the rough draft—seven hundred words to go—but she can’t answer the door right now, she’s as much in her groove as she ever gets when she’s doing this kind of work, she has to stay in the groove, shallow as it is. Any little thing could bump her out, way out—

But the doorbell rings again. And then it rings again. And then a voice she doesn’t recognize yells, “Hello? Hello? Sorry if it’s not a convenient time but it’s freezing out here and I’m your neighbor, please help!”

She keeps writing. There’s other neighbors, it’s not like they live out in the country. This is Portland.

The doorbell rings again. “Please, I just need to use your phone. Nobody’s home over to the other side and they didn’t answer the door across the street and when I peeked in I saw there was just a little kid and I didn’t want to make some little kid home alone open the door for a stranger so I just came here. I know you’re home, I can see you out the side window typin’ away. Type type type. Please. Give me two minutes, let me in and I’ll use the phone and then I’ll sit quiet and wait for the key guy.”

Julie gives up. She might get more done once she opens the door than she’s getting done now.

She opens it. There is a very tall woman standing there. She adjusts her view. She realizes you open the door for a woman looking within a certain range of vision, and she had it wrong, because this woman must be over six feet.

“Hi, I’m Lydia,” says the lady. “I’m your neighbor.”

“Hi, Lydia. I know. I heard. You need to use the phone. I’m Julie and I’m on deadline and I’m way behind so please come in and use the phone but I have to keep working or I won’t get any more work from this magazine and you know how times are.”

Shit. She said too much. “Magazine! Wow! What kind of magazine! Gosh, you’re a writer. That’s great. I used to be a writer. I won first prize in the prose essay contest in ninth grade, it was in the yearbook and everything. I got a hundred dollars for writing an ad slogan once too, that was just ten words—the maximum was twelve words, did you ever know those slogans have to be so short? The slogan—it was for this dog food company, you’ve probably never heard of them, they went under pretty soon after my ad ran but not before they paid me my money—the slogan was Even Johnny loves Carnivore, the all-meat food for dogs! And there’s a picture of my son and his dog, Petey, and the caption says, Johnny and his dog, Petey, and Petey’s eating out of his bowl, and Johnny’s eating out of the can, and you can see it says Carnivore.”

Julie’s been holding the phone out since the part about the yearbook.

“Lydia, that’s fascinating, and I’d love to hear more after I finish this article. But really, right now, I’m so sorry, here’s the phone and I have to get back to work. Just let yourself out when the locksmith gets here. We’ll have to have tea sometime soon.”

“Thanks Julie. Sorry, Julie. Except I don’t drink tea, I only tried that chai stuff once and I broke out in these disgusting hives, all over my body, seriously all over my body, and the doctor said it was because chai has tea in it, and sometimes people are allergic to tea, and hives are a common reaction—“

“I’m sorry, Lydia, I HAVE TO GO WORK.” Julie doesn’t want to raise her voice but it’s a natural reaction when someone doesn’t seem to hear you.

She gets back to the article, is writing about Phyllis’s first customers and how they became her business partners, when she realizes Lydia is talking again. “He said I’d be busier than a one-armed paper hanger and I’d never heard that expression before, I thought it was something dirty, I don’t know what I thought he said, but I clocked him with the arm I always use to clock people except this time it wasn’t just my arm, it was my arm in a cast. Anyway I play the cello all the time except I couldn’t hardly at all that summer. Eventually I figured out how to move my fingers around but—“ she shakes her head.

Julie keeps writing.

“I mean, what do you do, you play the cello, it’s your artistic outlet, your calling, what do you call it, your vocation, the thing you do that’s meaningful, and are you going to let a broken arm stop you? Tom said it was too bad I didn’t break my face, but I told him if he talked like that I’d put a restraining order on him, and he said maybe that way he’d get some peace, and his nose was bleeding the whole time because I’d hit him so hard, back-handed, which isn’t such a big deal when your arm’s not in a cast.”

“Lydia, I’m going to have to ask you to wait on the porch if you can’t be quiet.”

“It’s thirty degrees!”

“I have to get my work done.”

“I wasn’t bothering you! You were still typing away!”

“Lydia. There are some magazines on the coffee table in the living room. Please, take a seat in the living room—the couch is really comfortable, or the rocker—have a seat and peruse a magazine.”

“You’re trying to get rid of me.”

Julie does not answer. She keeps writing. “Of Phyllis’s first three business partners, Helen chose to retire after she made a hundred thousand dollars, since her husband is independently wealthy and they decided to move to their summer home in Martha’s Vineyard” (is it in Martha’s Vineyard or on Martha’s Vineyard? that’s a question for the second draft, Julie)

“What the hell kind of magazines are these? You don’t have anything with people on the covers. What’s that about? Not even National Geographic! What kind of magazines do you write for? What are these magazines that just list a bunch of titles?” Lydia is up in Julie’s face.

“Lydia. I need to work.”

“Where’s your TV?”

“I don’t have a TV.”

“You don’t have a TV? Then how do you know about anything at all?”

“Please wait on the porch.”

“I’m not waiting on the goddamn porch.”

Julie doesn’t even think about it—if she thought about it she probably wouldn’t have done it. She clocks Lydia, hard, with her arm which is not in a cast, but she doesn’t back-hand her, it’s a full out fist. She doesn’t think she ever did that before. Lydia’s nose starts bleeding. Julie raises her fist again. “Get out of my house before I call the police.”

Lydia backs toward the door. She spits at Julie and turns and runs.

Julie wipes the spit off with her sleeve, and goes back to her computer.

© 2010 Elissa Nelson

Elissa Nelson is a writer and teacher, currently completing her first novel. She has published fiction and nonfiction in publications including The Sun, Slate, and Seventeen magazine, in addition to making zines since the early ’90s, and she just finished her first zine since 2006: The Hundred Most Influential Writers in My Life to Date, As Best I Can Remember and Mostly Not Including Zines #1.