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Mini Sledgehammer April 2019

We love Chris Smith’s writing style and are glad to see him on the winner’s board again for the April 2019 Mini Sledgehammer Writing Contest. Congrats, Chris!


Character: A life coach
Action: Gambling
Setting: A hood ornament
Prop: A riverboat


Bottom of the RiverChris Smith

By Chris Smith

 

She looks like an angel released from hell. A winged beast bursting through the blood towards my hands as I dangle her over the edge. I want to keep her as a token, but it’s risky to keep evidence on you.

It’s been days and I’ve traveled for miles on foot, by car, and now on this boat down the Mississippi. I’m hundreds of miles away, but the literal blood still stained to my hands brings me back there. I daggle her chrome body over the edge. She hangs there by the chain coming from her neck. But there’ll be a rope around my neck too if I don’t let go. She needs to sleep in the depths of the swamp so I can be free. But I feel for her.

Strange how one…accident can chain you down forever. How one person pushing you so hard to exploit your best, just breaks you. A fracture that can’t be repaired, just replaced while the old one is discarded. I stare at her. She stares back at me smiling. She’s shiny like the trophy she is to me. A cold reminder of what I did for a little bit of freedom. Finally, taking my life back into my own hands by taking his. But she must drown.

She looks like she is soaring as I swing her from my fingers over the murky slime below. I love her for that! One last act of absolute freedom, even for a moment, before she plunges below holding to my hand.

© 2019 Christopher Smith


I’m an aspiring filmmaker, photographer and writer from South Florida. I enjoy crafting stories about the weird yet interesting mundane parts of life, whether it is visually or on the page. When not writing, I can be found taking photos around town or binging on TV show and movies.

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Mini Sledgehammer March 2019

 

Congratulations to first-time winner Grace Cook! She took home the title of Mini Sledgehammer winner, a bottle of wine, and a book.


Prompts:
Character: A man with a long face
Action: Setting the table
Setting: On an ocean liner
Prop: A door handle


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by Grace Cook

Whatever I had done to the man standing in front of  me, I’m sure it was deserved. His eyes sparked with the kind of anger only indignant white men are capable of, and his hands curled into monster’s paws at his sides.

I’ll be the first to admit, I am not a perfect person. I don’t put my dishes into the dishwasher as soon as I’m done with them, and last year I committed 26 murders for hire before taking a leave of absence from my contracting duties. Self care is important you know. But also being fair to myself, I wouldn’t have killed any of the people on a whim or to fulfill some nefarious need. It’s my job, and hey, sometimes people need to be taken out. This is, or course, according to the people who know them dearly.

But back to the man standing before me. He doesn’t look very strong. His face has the horseish quality I’d associate with bird-boned runway models and British men teenagers on Tumblr call Daddy. Which isn’t to say he isn’t attractive, he might have been if murder weren’t  burning in his eyes.

The hallways of cruise ships are narrower than one might expect. If he wanted to he could have slammed me against the tacky wallpaper before I’d noticed his presence. But he didn’t which, meant he wanted me to notice.

“Excuse me sir,” I said, and made to walk past him. Before he could raise his angry hands I grabbed his wrist and shoved him against the wall, pressing his hand between his shoulder blades and leveraging all of my weight to hold him in place.

“I could let you go,” I start, he’s fumbling against the wall, trying to push himself away from the wall and back into me. “I could let you go,” I start again, shoving his arm further up, “But my guess you came here to kill me. So start talking before I throw you overboard and you end up on one of the true crime podcasts about mysterious disappearances.”

He goes still for a moment, then he goes limp.

I grab his other hand and bring his wrists behind his back to hold his hands together before grabbing my keycard and pushing him through the door into my cabin. I shove him onto the ground and grab the small gun concealed in an ice bucket.

All of the fight has gone out him, but he says, “You killed my brother. You weren’t very subtle about it.”

He could look like half the men I’d killed before I took my leave of absence. “You’ll have to be more specific. Names and dates are usually a good place to start.”

“Tristan Wood, you killed him in January of last year.”

I wasn’t going to tell him I kill a lot of people in January, the holidays are hard for everyone.

But I did remember Mr. Wood. His wife had paid me a lot of money to end his life.

Looking at the brother I say, “So, what, you thought you’d find me and kill me yourself?”

He doesn’t say anything.

Tristian Wood was an easy kill, if I’m being perfectly honest. His wife, sick of being the brains behind his success, hired me to take him out right after she had finished setting the dinner table. It’s not that hard to sneak into apartment buildings when you’re a young woman. Pretty much anyone will let you in if you look like you need help. I think she wanted him to know she called the hit before he died. But that isn’t really my problem.

I look at the man kneeling on the carpet. I should feel bad, really I should. But I don’t. And if he as the money to track me down, there might be other people here as well.

“Who else is waiting for me to come out of this room?”

He doesn’t answer so I pick him up and push him through the doors onto the small balcony. I hold him over the railings and ask again, nicely.

His breath comes out in short little puffs. “There are two guys waiting for me to come down to the dining room. If I’m not there in fifteen minutes, they’re coming up here to look for you.”

I raise my eyebrow, “You really think you could take me out in 15 minutes?”

Instead of letting him answer I shove him overboard. He doesn’t even make a sound as he hits the water.

When I turn back to the door I see someone trying to jiggle the door handle.

I pull off the cocktail dress and grab the backpack sitting (mostly) packed on the floor. Jumping from one balcony to another takes little skill, but doing it quietly is another issue. I look into the cabin room and see no one around. The glass breaks easily. I look through the drawers and start pulling oversized shirts and shorts out. Okay, lonely bachelor is something I can work with. From a pocket on the backpack I pull out a pair of scissors and cut my hair into something generic and short. I slip on the oversized clothes and wait until I hear my door break open. Once I’m sure the two men are inside I fling open the door in front of me and start walking to the end of the hallway.

I won’t be going to dinner, not looking like this. I feel bad, kind of. I was looking forward to meeting some new people.

© 2019 Grace Cook


My name is Grace Cook; I was born in Vancouver, Washington and attended college at the University of Puget Sound. As of right now I’m working on a stenography certificate in addition to writing the first draft of my first novel.

Mini Sledgehammer February 2019

The week of roses and chocolates brought out some great stories about oyster farmers and horse heads. Thanks to everyone who came out for the contest this week! And congratulations to Christopher Smith for racking up another win!


Prompts:
Character: An oyster farmer
Action: Going out on a limb
Setting: An igloo
Prop: A horse head


Winter SongChris Smith

By Chris Smith

The breeze is hard on my face as I leave the comfort of my new, icy “igloo” fortress to venture out for some supplies. Ice and snow can keep people warm. Brick and mortar can keep people warm. But ice, snow, brick, and mortar seem to keep people cold. Especially with a broken radiator, our only source of heat…besides each other. But there is only so much cuddling I can take. So, of course, my dear love has to get sick forcing me to venture out into the cold.

My toes are cold. My toes are cold and wet. My toes are cold, wet, wrapped in two layers of socks, and thick rubber boots. It feels like I’ve been walking for days, but it has only been…a few minutes! It’s the boots, we have a complicated relationship. Although they, mostly, keep my feet warm and dry, they are not my aesthetic and hurt my feet. I look like an oyster farmer. So, I thought I might as well lean into it with overalls, an oversized sweater, an oversized raincoat, and as much of a beard I can grow in twenty minutes.

It’s been about fifteen maybe twenty days? Hours? Minutes? It’s been fifteen minutes since I was last home and I’m beginning to forget what home is like; what any amount of warmth feels like. I remember his face though. If I die out here, I want to remember that face. The face of the guy that sent me out on a limb to get medicine because he likes to sleep with the fan on. Maybe the anger will keep me warm longer? That would be helpful.

The return trip looks and feels no better. I did buy a horse head mask thinking I could prank him with it or something, but now it just seems like a dumb idea to me. The cold is taking up any brainpower I have to think things through. Maybe I can answer the door with it on, that’ll be funny, right? Or I could just leave it on the sidewalk under the snow. A nice surprise for when the snow melts. Now I wish I had gotten the red cough syrup.

© 2019 Christopher Smith


Christopher Smith is an aspiring filmmaker, photographer and writer from South Florida. He enjoys crafting stories about the weird yet interesting mundane parts of life, whether it is visually or on the page. When not writing, he can be found taking photos around town or binging on TV show and movies.

Mini Sledgehammer December 2018

Congratulations to first-time winner Elizabeth Shupe! Happy holidays, everyone!


Prompts:
Character: A banker
Action: Wrapping a present
Setting: Stuck in an elevator
Phrase: “What would the fish do without the horse?”


Without the HorsePolination Anxiety2 emailsize

By Elizabeth Shupe

 

“What would the fish do without the horse?”

They had been her parting words to him as the orderlies had prepared to wheel her away to the operating room. It was like a Buddhist koan, a sentimental enigma. Somehow the words had left her lips, in short puffs of breath between her contractions. Somehow she had managed to smile through the pain, an attempt to reassure him as he squeezed her hand desperately.

“Fish” was her nickname for him. He was the cool, clinical type; a banker, the kind of man who ironed his socks and was on formal, cold-blooded terms with everyone including his own mother. Everyone but her.

“Horse” was what he called her because she was a wandering spirit, a painter of desolate pink deserts, deserts desperate with barely restrained passion in the tradition of Georgia O’Keefe. She was like her paintings; multi-colored and stained and always slightly disheveled.

And lately she had been heavy and round, a self-enclosed planet, their baby stirring within her like a barely articulated thought. Her heaviness had not changed her wildness but rather emphasized it– her currents ran deeper now and their movements were felt as tremors like the movement of magma deep within the earth.

“What would the fish do without the horse?” had been her answer to the simple statement he had made as the hospital staff prepared her for the operating theater.

That statement, muttered under his breath:

“Don’t leave me.”

Now, she was gone. Wheeled away. There was nothing he could do, no action to be taken. To the man who had control over everything– his retirement plan, his blood pressure, his thermostat setting– this was a terror unthinkable.

He paced the waiting room for a while but his nerves clacked together too loudly for his sanity to bear.

So he gave himself a purpose.

I’ll buy her a gift, he thought. Something to make her smile. Something for the baby? Something…

He hurried downstairs to the gift shop and bought a stuffed animal in the shape of a horse. Halfway back up the third flight of stairs he panicked and went back for some gift wrap. He envisioned himself spending time in the waiting room, carefully folding the crisp paper, taping the ends evenly, making everything perfect.

I’ve got to get back to her, he thought as he checked out for the second time, the Scotch tape and colorful roll in a bag that asked him to “Have a Nice Day”.

He decided to take the elevator back up to the waiting room.

He stepped inside, distracting himself by silently scolding whoever had cleaned the buttons, they were filthy. He pressed the button that closed the doors. They shut and the elevator began to move with a dull grinding sound.

What would the fish do without the horse? he thought again as the elevator stopped on his floor, the Obstetrics and NeoNatal department.

The doors didn’t open.

He mashed the button frantically and nothing happened. He kicked the doors, he screamed, but they didn’t open.

The cold man, the banker, the frigid fish felt tears well up in his eyes for the first time in years. The eyes of the stuffed horse under his arm were deep and unfeeling black plastic and his wife was somewhere in the bowels of the hospital, facing the struggle alone.

© 2018 Elizabeth Shupe


Elizabeth (Beth) Shupe is a writer/artist person who lives in Portland, Oregon and has been published on occasion. As a misplaced Victorian, her hobbies include collecting hair jewelry, decorating with needle-pointed pillows, and haunting people’s attics. She is a social media recluse and has no Instagram to offer you, but if you knock on her door and are very polite, she will make you a nice cup of tea.

Mini Sledgehammer October 2018

We love the discordant nature of this month’s prompts and the winning story that came out of it. Nice job, Tovia!


Prompts:
Character: A Buddhist monk
Action: Trick-or-treating
Setting: A wine bar
Prop: A car manual


Miami, 1926

by Tovia Gehl

Miami, 1926. This city isn’t real.

Well, it is. It has buildings and roads and trees and houses. Horses clop and cars crash by, splashing in the rainy streets. It’s the kind of place people come to get lost and remake themselves.

Marina is not here for any of that. She has a bag full of contraband, a face as pretty as the day is long, and she walks with a confident air as she descends the plank of her ship. Even the persistent rain and insistent wind doesn’t bother her. Dressed in a white dress begging for a mud puddle to look sidelong at it, she doesn’t stick out any more than anyone else in this city. Still, everyone calls out to her – the rich sugar baron’s daughter is well known here.

I tip my chin at her when I see her and we fall in, two girls linking arms. I tuck my book, a car manual I have little and less intention of reading, into my purse. It barely fits and wrecks the lines of the fine kid leather, but my brother will covet it, so it’s worth a little fashion faux pas.

“Gotten up to any tricks lately?” I ask. I know her – the world knows her – and she knows me, but I have to ask anyway. We laugh and titter like she doesn’t have a heavy carpetbag bursting with sin.

“Only treats, Eliza, don’t be silly.” With the other half of the passcode complete, I start to gently direct our stroll. Our heels click a medley along the paved streets, and we’re careful to avoid splashing in gathering puddles. She lets me lead – the location of our destination changes every time she gets off the ship.

We pass people dressed in all colors and styles. It’s Miami, and it’s 1926, and you can be whatever you want. Any business, any class, any religion. We pass a man dressed all in orange begging on the street, and Marina flips him a coin. “I heard it was good luck to rub the Buddhist’s bellies,” I tell her quietly, and she tells me not to be rude as she gives him another coin and apologizes for my words. Chastened, I silence myself.

I lead the way to the old wine bar as the night gathers. Closed since the start of Prohibition, the windows are boarded up. She raises a perfect brow at me, dark against pale skin in the pool of yellow lantern light. “A little on the nose, isn’t it?” I giggle at her, but flash her a wicked look at the same time. No one pays us any mind. Two girls giggling at each other means nothing, even though we’re tittering about breaking the law.

I take her around the side of the building and into the alley, then down the stairs and through two doors. The men who guard them let us through without a second thought. I’m the key. This is my brother’s place.

Once we’re in the heart of the speakeasy (and out of the rain), Marina unloads her bag. She’s been carrying it like it’s nothing, but as she unpacks bottle after bottle of strong Cuban rum, I wonder how she’s carried something so heavy this far.

It’s just in time too. With the sunset comes the party.

Men and women crowd together on the dance floor. Everyone greets us by name as they come in – they know where the drinks have come from tonight. Dresses sparkle in the orange glow of our lamps. Red fabric shimmers against the wall, and soon the place thrums with the pound of dozens of feet on the dancefloor.

The party goes late into the night. I’m three drinks deep with Marina on one arm and a handsome sailor on my other – I don’t know his name but he knows mine – when I feel my feet get wet. Looking down, I see a few inches of water licking around my heels. Disentangling myself from Marina and the handsome sailor, I say something about a pipe bursting and excuse myself.

Knowing my brother is busy handling the bar, I seek out the source of the leak. I splash through the packed crowd and follow the flow of the water. But it doesn’t lead to any walls. Instead, it is coming from the staircase. I stare up it, barely able to hear the beat of jazz behind the two soundproofed doors, and cold fear seeps into me.

Because the water is flowing down. Our stairs are a small waterfall, and the flow is intensifying.

My instincts scream at me to run, but I force myself to turn back. I push through the doors, fighting the rise of the water that drags at them. People are already staring at the water. “Police!” I scream in the direction of the bar.

There’s an instant, practiced movement. People flood against me towards the doors and I lead them out. This is what we do, well-rehearsed. The water is up to my ankles by the time I reach the stairs, and I’m the first one up.

Which means I’m the first one to see the waves rolling along the lines of the street. Icy panic races down my spine, because the scent of the sea is in my nose, because this is no pipe break. This is the ocean coming in.

Rain hammers down and the fierce wind yanks at my hair. People pour out around me, and I grab Marina when I see her white dress. “High ground,” I tell her. “We must go up.”

The water swirls around my knees now, and roars down the steps in a vengeful torrent. We go against it, towards Miami Ridge. It’s the walk I make each morning to get a proper view of the ocean, and I know it’s the highest point around. I fight my fear for my brother, but Marina isn’t from around her – and if she drowns, her father will cut off our supply of Cuban rum, and our speakeasy will die. My brother would kill me if I let that happen.

We fight our way against the wind and water up the heights. When the ocean finally lets go of my feet, I can see nothing by grey, furious water ahead of me. Looking back, the city of Miami goes dark as the electricity is devoured by the storm.

Marina tugs me into the sheltered space behind a building. “What is happening?”

She asks me. “Are we going to die?”

The question catches me. It’s the same one my brother asked my mother we were on the boat from New York to Miami with our parents, headed south to start a new life. There was a storm then too. “My mama told me everyone dies twice. Once when you stop breathing, and once when your name is forgotten.” I take her face in my hands and attempt a smile. I am drenched, a ragged thing made of salt and fear, but she almost smiles back of me. “We will not be forgotten.”

© 2018 Tovia Gehl


Tovia Gehl is a reader, writer, traveler, whiskey and beer drinker, and animal lover. When she’s not busy with any of those things she works with a law firm learning all the dirty deeds and terrible sorrows of humanity. Ideally, one day she’ll become an author and not just a writer, but right now she’s content with all the exuberant imperfection in her words and life.

Mini Sledgehammer September 2018

This month’s winner notes that he’s grateful to get to “pick up a bottle and book in exchange for a few dubious words.” Congratulations, Craig! He adds, “I should note that there were some truly terrific stories tonight.  These events provide such a great opportunity to hear some fine sentences carved out in just a few minutes by intriguing and clever people.” We’re glad you enjoy them.


Prompts:

Character: A woman executive
Action: Good will hunting
Setting: The International Space Station
Prop: An old radio


Directive 38foster

by Craig Foster

Directive 38 was nothing more than an afterthought, really. An exercise coughed up from an office outside Mission Control with a view toward figuring out how to pass ourselves off to the others, out at the farthest reaches. Presuming they hadn’t met us already, this would be a preemptive strike in terms of letting them know we’re OK. Not to be feared.

Or trifled with, though.

It was little more than a good will hunting mission, and Bobbi W called in Dr. Kuwahara to lead it. She’d been part of the training program near Enoshima, Japan. A test of whether dolphins truly were as smart or smarter than us. The jury was still out, but a few of them made it through school fairly quickly and two had already been granted PhDs. Dr. Kuwahara – a damn bottlenose, no less – had expertise in astronomical sociology and would be put to good use. Bobbi W, the first woman executive at the space agency, set the wheels in motion and arranged for Dr. Kuwahara to be transported in a tank to the launch pad in Kyrgyzstan.

It wasn’t the craziest thing that had ever happened to the good doctor. And she looked forward to presenting humans to the others as best as possible. Leave out the bits about nets and knives. Or weave a story around them that might put everyone at ease. You couldn’t count on an attack on people not also causing some collateral damage in the seas and on the savannahs.

It took a bit to get to the International Space Station, but the launch was moderately safe and the tank held its water.

The welcoming party was limited to the biologist, also from Japan. That didn’t exactly float well with Dr. Kuwahara, but she refrained from spouting too much. Told herself, it’s a flipping test, Sadako. Don’t let them stop you from heading out a bit further. So, she didn’t. Made one of those noises everyone pegged for laughter, and the biologist said something polite and encouraging to her.

They’d built a supermarine for Directive 38. A maneuverable pod filled with water and provided with just enough of the button controls Dr. Kuwahara would be familiar with from her time at the university. The communication mechanism looked like an old radio, which didn’t matter to the doctor, as she didn’t plan to talk to use it. No need to talk to anyone back at the station once she was out and about. There were three channels if she needed them, however: one that received sounds from within a few hundred thousand miles, another that allowed for communication with the station, and a third that played familiar audio from Earth. Some dolphin-speak to provide a presumed measure of comfort. A little bit from above ground, just for kicks. And a mix of French chansons, big band instrumentals, post-punk thrash, and news of the world.

A couple of astronauts joined the biologist, and after a series of checks were made Dr. Kuwahara’s tank was wheeled toward the already-filled supermarine. There was a waterlock filled with just enough liquid to allow for what the humans determined was an easy transfer from one watery home to another. They were half right. Dr. Kuwahara took a blow to the nose during the transfer, but everyone applauded and felt even better when she made that laughing noise again.

She clearly was of the proper demeanor for this mission.

 

Space isn’t empty. Not at all. In fact, it’s packed. It gets lonely because there’s too much matter out there. More than enough atoms to choke an endless supply of dolphins. But Dr. Kuwahara loved it. She turned a few times in the supermarine, staring through the two windows provided. One at the bottom of the tank, and one at what must be the front of the thing. Showing where she was heading, in any event.

She hit the radio and it played La Mer.

The good doctor went over the mission in her head. Humans: 1; Others: 0.5. Just to shw it wasn’t a completely uneven playing field. She played in her head everything she would communicate to whatever she found. Of salt and blood, buckets of fish. How to be right and proper in their eyes. When to speak and when to just watch. Mention their favorite jokes.

Say how to stay alive.

Or maybe reveal the one spot where she knew the humans were vulnerable. For kicks.

The song switched to La Vie En Rose, and this time she did laugh.

© 2018 Craig Foster


Craig Foster is an editor based in Portland, Oregon who every now and then tries to write stories. These usually revolve around oddballs and misfits, the most normal people he knows. Tahoma Literary Review, Buckman Journal, 1001, and Arq Press have published a few of these tales, which should prompt an investigation into their decision-making process. Lastly, the author would never misrepresent his physical appearance with a photo from twenty years ago. There are ethical standards to be maintained.

Mini Sledgehammer July 2018

We’ve had some shy writers recently who didn’t want to share their stories on the website, but we’re back with a new one this month! Congratulations to Desiree Granzow for winning the prize, and thanks for sharing your story for others to read.


Prompts:
Character: A witch
Action: Floating on a river
Setting: At an allergist’s office
Phrase: “Summertime and the livin’ is easy”

UntitledDesiree SH 2

by Desiree Granzow

The walls are sterile, a bare photograph of a river hangs on one side opposite a door and a glass window looking into the receptionist’s cubicle. The chairs are a stiff brown leather with white coffee tables of magazines perfectly placed in the corners. Those around me are sniffling, red eyed and somber. If I didn’t know any better I would think I am seeing the aftermath of a viewing of the movie the Notebook. I keep my hands to my lap, tumbling my thumbs back and forth over each other. I hear the faint music in the background, the lyrics “summertime and the livin’ is easy” ring through the air. I think of the irony in front of me.

“Greg Hopkins,” I hear the female receptionist’s voice. She doesn’t even look up.

I stand and make my way to the door. The allergist’s office always makes my stomach queasy. I am escorted back into her office and am preparing myself for the transition. Doctors are not my thing. The door opens and I lose my footing. What was once an examining room, complete with medical posters, cotton swabs and all things sanitary is now a display of what I can only describe as wild hippy decor, with hammock style chairs, a myriad of colors, gems, stones and oils among other items.

“Welcome Greg,” a soothing voice greets me.

She is seated on the floor, legs crossed, a long dress draping loosely around her. Her nearly violet eyes catch mine. My brow furrows in confusion while my body sighs with relief.

“My name is Dr. Desmone. I will be seeing you today,” she informs me as she gestures for me to join her.

My jaw relaxes as I realize no questions can come out that will make any sense right now. I walk over and make my way to the ground. She reaches out, sticking her thumb to my forehead as I jerk back.

“Relax,” she says, her violet eyes again finding mine. She is mesmerizing. Her hand touches my arm as she leans in and pushes her thumb into the center of my forehead. I feel warm. A wave of calm washes over me and my eyes close. When I wake she is still sitting in front of me, but I can tell many hours have gone as the sunlight passing through the window is no longer mid-day but near sunset.

“What did you do to me?” I say moving to stand. “What sort of hippy nonsense is this?” My limbs feel more at ease than they have in years. I notice I can breathe with a clarity I never knew I could have again.

“I didn’t do anything to you,” she says in the same calm voice. My arms cross as I back away further, my body almost feels as if it has a new spring to it.

“Are you some kind of witch or something?” I look around. My pulse is steady, my body calm, but I am mad, right? I should be mad. This woman just put some sort of spell on me.

“You’re floating on a river,” her voice almost sings the words.

“What?”

“On a river,” she says as she moves both hands in a wavy motion. I have backed away and am now standing at the door. My head feels so clear, but this room . . . she . . . is making me feel crazy.

“No, I just wanted to get my allergy shot. I have really bad allergies, ugly bad in fact . . .”

“I know,” she interrupts me. “But you are floating on a river.” I

I shake my head and turn. The doorknob is the only normal thing in the room. I turn it and step out. The bright fluorescent hall light blares into my face. I can see the receptionist, the same waiting room. I start walking toward her, but then something nags at me. I turn back and walk back toward the door. I turn the knob slowly and peer in. The examining room stares back at me. I slam the door and run out. She has to be a witch, or this has to be a hallucination. What is happening? The receptionist tries to call after me but I bolt for the door. My feet feel lighter than normal.

It has been six weeks since this happened. I have told many people about it, but no one believes me. I have suddenly been running six miles a day, waking up full of energy and new life. I am writing about this because I am worried that something was done to me, but what I don’t know. There have been twenty reported “incidents” in rivers near me in the past two months. I will not go near one. Where was I floating?

© 2018 Desiree Granzow


Desiree Granzow has been writing her entire life, but has only recently decided to share her words with the world. She is currently in the process of writing her first fantasy book series, but also enjoys creating non-fiction, poetry and fiction short stories. She is a mermaid at heart with the mind of a sociologist, a dreamer and a realist wrapped into one. She aspires to share her whimsical worlds with many readers in the near future.