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Mini Sledgehammer: December

Ah, the holidays. Apparently it’s my time of year to be late for everything. Sorry for my tardy prompt posting. If you’re writing from home, monitor your time yourself, post your story on your own blog or website, and then leave your link in a comment below!

character: transit driver
action: surprising someone
prop: sparkly wrapping paper
setting: traffic jam

Congratulations to Fufkin Vollmayer, a first-time Sledgehammer participant, whose story ran away with the prizes!

***

“Untitled”
by Fufkin Vollmayer

My breasts are leaking and it’s rush hour in the rain and because of the rain the Muni metro shuts down. We’re in the big tunnel from downtown to the Castro and Javier is just making noise. It’s that gnawing noise familiar to every new mom, the kind that the nurse who posed as a lactation consultant explained to me, “See those little movements of his head and his lips parting, that’s rooting.” I stared at her dumbfounded, rooting as in a fruit tree or bulbs in the fall? so she went on, “Rooting means he’s looking for the breast, so it’s a good thing.”

Anyway the rain has shut the tunnel down and the overhead lights of the train flicker on and off, like a disco ball right inside the steamy crowded train that’s bound for the outer Sunset. Someone’s got Chinese takeout, because I can smell it from here.

Javier is revving up to a whimper and even though it’s crowded, all of us packed in like sardines and damp and mushy, I am going to have disengage him from the baby Bjorn, undo my raincoat and get my breast out. Out and in public. Maybe with the lights going on and off like last call, maybe no one will notice.

To the teenager next to me, who’s silent and focused in some deep way on their i-Pod, I say, “Excuse me, I need to sort of elbow you to get the baby out.” He stares at me, maybe not hearing. Or hearing and not caring.

He doesn’t move an inch, doesn’t even blink.

Now Javier is crying, and it’s that piercing cry of the newborn, a bleat, a thin wail so primal and high, it’s excrutiating. Like some illustration out of the nursing manual, I leak into my thick padded nursing bra. Too late, it’s gone straight through to the shirt.

As I start to elbow the silent, sullen teen next to me, “I’m sorry, oh I apologize, shit,” and then as I accidentally hit him with my elbow, “Please forgive me.”

He spits out, “You can not do that no you cannot. I talk to the bus driver. Right now.”

Well, we’re stopped anyway, go right ahead. And with that, he pulls out an a white ear bud from his thick black skunk head style of hair and pushes his way up to the front. We’re not too far from the front, so he pounds on the driver’s bullet proof glass.

Finally, the driver, like a teller at a liquor store that doesn’t sell wine, only coolers and fifths and endless varieties of rum, she looks at him. She looks about forty or so, her brown institutional uniform, the one that I grew up looking at twice a day as I road the bus to and from school, her uniform is shiny from too much ironing. The yellow letters and MUNI insignia remind of a forest ranger. Maybe that’s what she is, a forest ranger and we’re all the wild life.

“She is doing something bad. Not right. Her, over there,” and the teen who’s taken both the ear buds out, puts his elbow into his chest because there’s not even enough room for him to give a full extended point.

The driver looks at me, and I dread what could be the inevitable break down. I know the look. Middle aged African American woman giving me, the blue-eyed white woman the once over. All those years on her bus when, as a teen myself, all I ever did was to keep the brothers who followed me, sat next me and knocked their knees into my thigh, and talked to me, Oh Miss White, what you doing? Lemme take you home.

Or maybe in my haze of no sleep and new baby and the lights dimming on and off like a metronome, maybe I am misreading her face.

The high crackle of the walkie-talkie comes through and she picks up the radio and listens to the report about the flooding in the tunnel, Uh-huh, how long? Well, we just wait then.

“So what you going to do about her,” i-Pod teen asks, again.

“Nothing.”

Javier starts a full forced cry. There are no other babies on the train, just big kids. Dark I want the dark to return, because then I can pull a Houdini move and maneuver Javier out of the Bjorn, under my jacket, up through the loose tunnel of my crappy shirt and close to his target. Get him and judging from all the faces on the train, the people who might be staring, get him nursing.

“No, not right.”

“Actually, it’s a public place.”

I smile and nod and shove Javier on to my boob and the moment we’ve all been waiting for, the latch, it happens.

We’re in the dark, and the closely calibrated trains, they’re all piling up. It’s gridlock in the tunnel as two trains in a row, with big round headlights, a full moon illuminating the pitch black darkness of the tunnel with no light, no light at all, the full moons are lighting them up. There’s a traffic jam and it’s completely silent.

The pneumatics of the door exhale as the driver sits there. The teen next to me, sits down again and bumps my arm and I’d totally forgotten about the package wrapped in crinkly wrapping paper that I’d shoved into my back pack, the birthday present for Granny Doe, the one I’d dragged little Javier out in the rain, out of his cocoon, to Macy’s, all to buy Granny Doe some plates to match her set from her wedding.

The driver now gets up and comes down the aisle, to avert the panic, “There’s flooding in the tunnel, a back up with an accident on the line outside, we’ll be moving in about ten minutes.”

As she passes me, she looks down, and looks at me and stares, “Well hello Karen, long time.”

“Excuse me?”

“How ya doin’?”

I stare and again that bovine look of stupidity must be overtaking my face, the one caused by exhaustion.

“It’s me. Deborah.”

“From Lowell?”

And she starts laughing and shaking her head and all the backstory that wound through the short fuse known as my brain, vanished.

“Yeah, you got it.”

“Hey. Hey Deborah.”

We looked at each other, right in the eyes. Deborah who I went to Lowell with. Deborah who smoked pot with me down in the pit. Who brought her plaid thermos full of milk and bourbon to school. We used to laugh and laugh, could’ve been the pot, could’ve been finally figuring out the George Clinton’s liner notes, Some of my Best Friends are Jokes.

We laughed and Javier nursed and the lights came back and stayed on.

© 2010 Fufkin Vollmayer

***

Fufkin Vollmayer worked as a journalist before kids and is finishing a memoir of the whole goofy enterprise known as single parenting, anonymous donor insemination, and having absolutely no idea on how to be a good mom owing to Really Terrible Parents (warning, alcoholism and mental illness and living in Reno, Nevada, are covered) in her upcoming book, “Because You Love Them Like Crazy.”

Mini Sledgehammer: August 2010

We had a thin crowd here this month, but four of us here still had a good time writing. Congratulations to Elissa Nelson, whose story took home the prizes!

Prompts
Character: a new neighbor
Setting: locked out
Action: playing the cello
Dialogue: “busier than a one-armed paper hanger”

Julie is writing frantically, with a nine a.m. deadline in the morning, nine a.m. east coast time so this really has to get done now. It’s one of those articles you take because you need the money, and then you think So this is making a living from my writing, using my gift, my talent.

She interviewed a woman who’s started what is essentially a pyramid scheme, but the woman, Phyllis Camera, calls it entrepreneurial, and it’s for WorkingLadies.com, so it’s entrepreneurial, it’s not a pyramid scheme. If it was for Fortune, or Ms., it might be about pyramid schemes and using feminism and capitalism to prey on poor mothers who feel they should be full-time moms and have successful careers, simultaneously. She could tell them that’s not possible, but nobody’s supposed to tell them it’s not possible.

Phyllis is an older lady, and no, her last name isn’t Camera, it’s McManus, but Camera goes better with her business concept, which is about using adorable photos of children and pets to create serieses of postcards for all occasions.

Julie is trying to wax super-positive about the postcards—the story will be accompanied by a selection of images, including several of children in sweet and homemade costumes ranging from bumble bee to carrot (with the green top, of course—she had to look it up because what do you call the green top part? carrot greens of course). She’s crafting a description that includes “entrepreneurial and forward-thinking, without losing the caring vision of a loving mother, the vision which makes Mrs. Camera’s postcards endearing and universal” when the doorbell rings.

She doesn’t answer it. It’s eight p.m., she plans to stop for dinner once she finishes the rough draft—seven hundred words to go—but she can’t answer the door right now, she’s as much in her groove as she ever gets when she’s doing this kind of work, she has to stay in the groove, shallow as it is. Any little thing could bump her out, way out—

But the doorbell rings again. And then it rings again. And then a voice she doesn’t recognize yells, “Hello? Hello? Sorry if it’s not a convenient time but it’s freezing out here and I’m your neighbor, please help!”

She keeps writing. There’s other neighbors, it’s not like they live out in the country. This is Portland.

The doorbell rings again. “Please, I just need to use your phone. Nobody’s home over to the other side and they didn’t answer the door across the street and when I peeked in I saw there was just a little kid and I didn’t want to make some little kid home alone open the door for a stranger so I just came here. I know you’re home, I can see you out the side window typin’ away. Type type type. Please. Give me two minutes, let me in and I’ll use the phone and then I’ll sit quiet and wait for the key guy.”

Julie gives up. She might get more done once she opens the door than she’s getting done now.

She opens it. There is a very tall woman standing there. She adjusts her view. She realizes you open the door for a woman looking within a certain range of vision, and she had it wrong, because this woman must be over six feet.

“Hi, I’m Lydia,” says the lady. “I’m your neighbor.”

“Hi, Lydia. I know. I heard. You need to use the phone. I’m Julie and I’m on deadline and I’m way behind so please come in and use the phone but I have to keep working or I won’t get any more work from this magazine and you know how times are.”

Shit. She said too much. “Magazine! Wow! What kind of magazine! Gosh, you’re a writer. That’s great. I used to be a writer. I won first prize in the prose essay contest in ninth grade, it was in the yearbook and everything. I got a hundred dollars for writing an ad slogan once too, that was just ten words—the maximum was twelve words, did you ever know those slogans have to be so short? The slogan—it was for this dog food company, you’ve probably never heard of them, they went under pretty soon after my ad ran but not before they paid me my money—the slogan was Even Johnny loves Carnivore, the all-meat food for dogs! And there’s a picture of my son and his dog, Petey, and the caption says, Johnny and his dog, Petey, and Petey’s eating out of his bowl, and Johnny’s eating out of the can, and you can see it says Carnivore.”

Julie’s been holding the phone out since the part about the yearbook.

“Lydia, that’s fascinating, and I’d love to hear more after I finish this article. But really, right now, I’m so sorry, here’s the phone and I have to get back to work. Just let yourself out when the locksmith gets here. We’ll have to have tea sometime soon.”

“Thanks Julie. Sorry, Julie. Except I don’t drink tea, I only tried that chai stuff once and I broke out in these disgusting hives, all over my body, seriously all over my body, and the doctor said it was because chai has tea in it, and sometimes people are allergic to tea, and hives are a common reaction—“

“I’m sorry, Lydia, I HAVE TO GO WORK.” Julie doesn’t want to raise her voice but it’s a natural reaction when someone doesn’t seem to hear you.

She gets back to the article, is writing about Phyllis’s first customers and how they became her business partners, when she realizes Lydia is talking again. “He said I’d be busier than a one-armed paper hanger and I’d never heard that expression before, I thought it was something dirty, I don’t know what I thought he said, but I clocked him with the arm I always use to clock people except this time it wasn’t just my arm, it was my arm in a cast. Anyway I play the cello all the time except I couldn’t hardly at all that summer. Eventually I figured out how to move my fingers around but—“ she shakes her head.

Julie keeps writing.

“I mean, what do you do, you play the cello, it’s your artistic outlet, your calling, what do you call it, your vocation, the thing you do that’s meaningful, and are you going to let a broken arm stop you? Tom said it was too bad I didn’t break my face, but I told him if he talked like that I’d put a restraining order on him, and he said maybe that way he’d get some peace, and his nose was bleeding the whole time because I’d hit him so hard, back-handed, which isn’t such a big deal when your arm’s not in a cast.”

“Lydia, I’m going to have to ask you to wait on the porch if you can’t be quiet.”

“It’s thirty degrees!”

“I have to get my work done.”

“I wasn’t bothering you! You were still typing away!”

“Lydia. There are some magazines on the coffee table in the living room. Please, take a seat in the living room—the couch is really comfortable, or the rocker—have a seat and peruse a magazine.”

“You’re trying to get rid of me.”

Julie does not answer. She keeps writing. “Of Phyllis’s first three business partners, Helen chose to retire after she made a hundred thousand dollars, since her husband is independently wealthy and they decided to move to their summer home in Martha’s Vineyard” (is it in Martha’s Vineyard or on Martha’s Vineyard? that’s a question for the second draft, Julie)

“What the hell kind of magazines are these? You don’t have anything with people on the covers. What’s that about? Not even National Geographic! What kind of magazines do you write for? What are these magazines that just list a bunch of titles?” Lydia is up in Julie’s face.

“Lydia. I need to work.”

“Where’s your TV?”

“I don’t have a TV.”

“You don’t have a TV? Then how do you know about anything at all?”

“Please wait on the porch.”

“I’m not waiting on the goddamn porch.”

Julie doesn’t even think about it—if she thought about it she probably wouldn’t have done it. She clocks Lydia, hard, with her arm which is not in a cast, but she doesn’t back-hand her, it’s a full out fist. She doesn’t think she ever did that before. Lydia’s nose starts bleeding. Julie raises her fist again. “Get out of my house before I call the police.”

Lydia backs toward the door. She spits at Julie and turns and runs.

Julie wipes the spit off with her sleeve, and goes back to her computer.

© 2010 Elissa Nelson

Elissa Nelson is a writer and teacher, currently completing her first novel. She has published fiction and nonfiction in publications including The Sun, Slate, and Seventeen magazine, in addition to making zines since the early ’90s, and she just finished her first zine since 2006: The Hundred Most Influential Writers in My Life to Date, As Best I Can Remember and Mostly Not Including Zines #1.

Mini Sledgehammer: July 2010

This month’s Mini Sledgehammer landed between this year’s odd bouts of heat and rain, so the group took advantage of an evening outside, writing on Blackbird & Atomic‘s front patio. Check out our Facebook page to see photos. This month we also encouraged people who couldn’t make it to the event in person to participate–those stories are also on our Facebook page. We hope you’ll join us, in Portland or elsewhere, at the next Mini Sledgehammer, August 10. July’s winning writer will be one of the guest judges.

Prompts included:
a character with a unibrow and one eye
the action of using a plastic milk crate
the phrase “thanks a bunch”
the setting of behind a picture
Here’s July’s winning story!

***
Behind the picture she’s just pulled down from above her dorm room bed, the wall glistens with the sickly sheen of left-behind poster tape, its residue gunky and clotted. She rolls her own frayed poster up, and stuffs it into the bright purple milk crate on the floor, nestling it inside so that it joins a stack of CDs and a pile of books she will not return to him. Let him discover their absence, when he reaches up onto the bookshelf in his faculty office, ready to pull some obscure tome down, eager to recommend it to some freshman girl who needs her horizons “expanded.” She pictures him scrambling to preserve his air of avuncular-yet-flirty cool, and utterly failing, his five-hundred-dollar words baroque and overcompensating as a one-eyed man with a unibrow. His fingers will fumble, fishing out his back-up bibliographies; he’ll pass them to the provincial newbie with a flourish. “Thanks a bunch,” she’ll breathe, before she knows better, before his own breath will enter hers, before she winds up rolling her posters, and stacking her milk crates, educated now, but utterly weary.
© 2010 Jenn Crowell
Jenn Crowell is the author of the novels Necessary Madness (Putnam, 1997) and Letting the Body Lead (Putnam Penguin, 2002). She is currently a student in the low-residency MFA program at Antioch University Los Angeles, and is at work on her third novel.

Mini Sledgehammer: June 2010

We shattered our record of participating writers at this month’s Mini Sledgehammer. Thirteen stories had our minds whirling with fantastic metaphors and surprising plot turns. Thanks for hosting us, Blackbird Wine Shop!

The winning story was “Unspelling,” by an anonymous writer who, in the author’s words, was “responding to four very fun prompts.”

Prompts included:
a hippie
a doctor’s office/clinic
“a pretty clear case of…”
correcting spelling

Unspelling

This place, man, it’s like the primordial soup of civilization. It’s the place misspellers wash up. It’s the place where words really matter, but only the words in your head, see? Because these guys – these differently abled, word-decoding challenged girls and guys (excuse my political incorrectness, but hey, isn’t this just one planet we’re on?) couldn’t spell to save their lives, and they’re here to save their lives. Keep that in mind, okay? They came here; they weren’t drafted. These muscley young men in their late 20s to their 40s—plus that guy with a cane and a scruffy beard, a Vietnam vet and a classic unschooled human being; and yes, these dedicated future nursing assistants, always female and often recovering—they came here of their own accord, their own volition, and I, the mere MFA-holder, the no-better-than-they student of the world, hired for $10 an hour, am not responsible for their well-being. Just, I am told, their ability to spell. That is all. Not to say I don’t live for my job, sabotaging the multiple offers I get from Wall Street moguls, high-tech company presidents, and community newspaper editors all the time to work for them… and make maybe $14 an hour. Instead, I choose the Portland Community College Writing Center.

Enough about me. Because hey, on Tuesdays this is a clinic, and I have reflected on my role here in this helping environment. Yes, I correct spelling; it is my responsibility to get these eager beaver community college students fully vested at PCC Rock Creek campus, on their way to a two-year degree and no longer dumped into developmental ed. I correct their spelling, but really, isn’t that just code for the canon, for supporting mainstream writing and thinking, for fucking these already marginalized young minds? Isn’t that morally bankrupt and just plain wrong? I think so. In fact, I know so, and I have an MFA to prove it. Haven’t you, like, ever heard of “unspelling, “ also known as “invented spelling” in the little kids’ schools? This, man, is what I secretly pursue: the truth behind the letters. Believe me when I tell you, I’m the most subversive thing in the Writing Center clinic on Tuesdays from 11 to 4 at Rock Creek campus in Hillsboro.

Take Judy, for example. I know from previous encounters she’s living in a place called Jessica’s House, where recovering addicts learn to spell “addict.” Ha ha. Sorry. I am being terrible. But Judy, she’s a pretty clear case of the unschooled writer. Her spelling of “convalescent,” as in “the contrast between convalescent homes and assisted living facilities for CNAs working in the field today,” was so frightening, man, I had to take a lude. Which I hadn’t done since, like, 1980. I took the lude, then I studied Judy, with her gaping mouth, her crooked teeth, her insatiable volubility, including interrupting me every millisecond, and I said, “You are going to have to break through this wall you have, Judy, of always relying on spell check. Isn’t that what your people call a dependency, Judy?” She looked up from the little end table there in the Writing Center clinic seating area, a scared and scarred 35-year-old woman who had been misled to think all she needed to be complete was good software. “You have so much inside you, Judy”—I meant that, man, I really did. I mean, with my MFA, all I’d gotten was a lousy $10 an hour job with no reimbursement for mileage, very few tax breaks, and retirement as distal as nirvana—and did I say I am 40, and thinking about these things, finally? Becoming more and more like my blessed goddamn parents? Sorry. Anyway, Judy broke into a wide, toothy, genuinely peace-loving grin. “You really do,” I continued, “and you can’t let this broken down heap of civilization codified in rules and regulations make you small, Judy. Spell “facility” for me, Judy!”

She put her head up like a wolf.

“F A S I L I T Y,” she said, kind of loud, kind of wolf-like.

“Not so loud, girl. But that’s fine. Don’t you ever stop writing just because you can’t spell. You hear me?”

She leaned in close. “Sure do. But I have to ask you about something.”

“Proceed,” I said.

“My COMPASS score? My placement score?”

I pulled out the keyboard tray from my PCC-regulation PC. My fingertips started dancing on a few of those keys.

“I’ve got powers, Judy. I’ve got ways of making the numbers look good. You’ll be in Writing 101, for college credit, next term, baby. I promise you.”

Judy smiled uncertainly. She rose and left our table, leaving her horrifically misspelled missive on top.

© 2010

Mini Sledgehammer: May 2010

This month marked the first of our second-Tuesday recurring series of Mini Sledgehammers at Blackbird Wine Shop. Half a dozen writers showed up, and we had a great time writing, reading, and drinking wine. Thanks for hosting us, Andy!

Kari LunaKari Luna took home the prize package including four books, a calendar, and a classy bottle of wine.  Congratulations!

Prompts included:
a traveler
someplace warm with a snap in the air
“clouds in  my coffee”
tearing a page out of a calendar

Einstein’s Hand

I usually got an Americano, almost always a double Americano, but for some reason I chose a latte, instead. But there wasn’t a heart or a leaf or the ever-predictable swirls swimming in the cream, there were just clouds. In my coffee.

“Is something wrong?” Emily asked.

“No,” I said, lying for the third time that morning. “Everything’s great. This trip is going to be amazing.”

“Just what the doctor ordered,” Emily said, sitting back in her chair the way she always did. You know, the way that said she was right. “Doctors don’t send you to cool climates for nothing,” she said. “This is serious.”

The doctor she referred to was Dr. Angstrom, an archeologist-slash-physicist. The climate she referred to was Mongolia. And the serious business had nothing to do with my health. It was a dig that had something to do with Einstein’s right hand.

“It’s too warm here, anyway,” I said, brushing a fly away from my coffee. “A change will do me good.”

“You said that already,” she said, biting her pinky nail. This conversation was going the way most of them had gone for the past six months, ever since Angstrom had chosen me over Emily for the expedition, a dig most scientists believed was insane.

“Henry,” she said, moving her chair closer. “Let’s pick a date.”

We were sitting outside the train station but I could still feel the brisk air blowing in from the ocean. The Gulf was like that – serene and inviting one minute, a seven-headed monster the next.

“Henry?”

Emily pulled a calendar from her purse and not a small one, nothing handheld, but a full-sized wall calendar. Each month featured a photo of molecules in action, cartoon-style. Protons doing the lindy with neutrons, electrons whizzing down water slides, positives and negatives playing nicely with each other. The very sight of it disturbed me. So many things about her disturbed me.

“I was thinking next June,” she said. “You know, something Spring-like. The family would like that.”

I could be on the cover of Time Magazine by June. Surely I couldn’t marry her then. I thought our relationship was temporary, a grad school thing. I ran my fingers through my mop of curly black hair and adjusted my glasses. They were too big. I was going to hate that in Russia.

“It’s too early to plan,” I said, baffled. We’d barely spoken in months but Emily was still sporting the pink rock candy ring I’d given her last month like a trophy.

“It’s too early for anything,” I said.

My words fell through the slats in the wooden table and landed on her feet. She brushed them away, the same way she did the crumbs from her plate of scones. She loved the cinnamon ones and practically lived on them. Like she loved me. And lived on me.
“I’m the one planning this,” she said. “It will give me something to do while you’re away.”

While I’m away you should find yourself a new husband, I thought. A new career. Maybe something in knitting or the culinary arts. Or a mix of all of that with Math and form a new discipline like Dr. Angstrom.

Emily and I had met in his class six months ago. What she called a whirlwind romance, I called a trap. We were both so excited about Angstrom’s book, titled Einstein’s Right Hand – the Greatest Dig of Mankind and bonded over Mojitos and extreme science on public television. We were close enough to Miami to go out but far enough away so that studying was easily a priority. And this trip? My adventure? It was the first in a series of many. I could tell I was meant to search the world in honor of physics and anthropology underneath Angstrom’s wing. Even if others thought he was a quack. I was twenty-seven and had loved science since I was seven, so the term was somewhat familiar.

But now I was leaving the premier internship of the summer to do what no intern before me had done. Mongolia. Einstein’s right hand. My name in history. And lots of vodka, which I could do here, but with Emily millions of miles away it seemed much more romantic.

The announcement for the train to New York boomed across the speakers.

“Henry,” she pleaded. “You’ll need me when you’re out there in your fur coats doing shots and trying to support Angstrom’s improvable theories. You know I’m right. My letters will save you.”

I tore the month of June from the calendar. June, with its illustration of neutrons squirting neutrinos with a hose by the wading pool. I looked down at my coffee – no design, only puffy little clouds – and read it like tea leaves. Like I should have done in the beginning.

“You’re being unreasonable,” Emily said. Her right eye twitched, a large display of emotion for her.

“And you’re not engaged,” I said, ripping June into tiny pieces and dropping them in her coffee. “In life or with me.”

If I ever found Einstein’s right hand I’d love to return and slap her with it.

© 2010 Kari Luna

Please join us Tuesday, June 8 for the next Mini Sledgehammer!