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Mini Sledgehammer February 2015

Another great turnout! Thanks for the support, 2015 writers!

***SH Feb 2015

Character: The least respected person
Action: Acting
Setting: The farm
Prop: Chandelier

***

The Old Chandelier

by Alyssa Shelton

I

Some of his first memories were just twinklings; iridescent, tiny movements of light dancing off of and with one another to some music that couldn’t actually be heard.

He often wondered if his mother had left the bassinet in the foyer with the fore thinking that he would be entertained by the subtle moving shadows cast on the wall by the chandelier in the entryway of their rundown old house.

More likely, however, was that she simply set him down as quickly as she could after returning home from whatever monotonous chore or errand she’d just stumbled through.

He also wondered if those bits of light had played any role in his growing desire to become the world’s greatest actor.

He could see it all so clearly: the common farm boy turned movie star! How he would wow and dazzle, shock and surprise on the golden screen. Finally, the other boys would envy him and wish they had been kinder all those years in school. “Look at him now!” they would say as he moved weightlessly across the stages of Hollywood and Broadway. The girls would regret mocking him and sending him those humiliating fake love letters, not that he had wanted them anyway…

“Eugene! Get your sorry ass downstairs and get to herding, sonofa…”

He was ripped from yet another daydream, forced back to the pathetic reality of life on a sheep farm. While he craved glamour, production, and scripts he was drowning in wool, shit, and dust.

He made his way toward the dilapidated staircase, running his hands along the cracked and fading wallpaper with fat baby angels sitting atop yellowed clouds. His mother called them cherubs, and his father asked her why the hell she couldn’t just call them what they were: fat baby angels.

As he began to descend down the steps, he paused midway to admire the one remnant of a once impressive and sprawling plantation; his great grandfather’s chandelier. Eugene was always taken by its out of place elegance, and his mind began to wander again as it was wont to do…

“Why don’t you just take your drunk ass out of this here house and let us be!”

Slap!

The memories always ended with that terrible sound that they’d all grown so accustomed to.

“Damnit Eugene, quit starin’ at that damned light and get outside!” He quickly ran down the stairs and out to the pasture.

II

Once his work was done, he retreated to the old barn. Here he could be himself: the famed Gene! The most highly sought after actor in the whole country. And from such humble beginnings!

Not long now and his neighbor and friend, Johnny, would join him in the barn. Together they would continue writing and rehearsing their next play, The Farmer’s Wife, the coming-of-age tale of a misunderstood gal on her way to Hollywood. They could both identify.

Johnny came and they wrote, laughed, argued and fucked. They just got to thinking it might be time to call it a night when the barn door slammed open and Eugene’s father burst inside, looking horrified but not surprised.

The next sequence of events would remain a blur to all who tried to recall it. Johnny took off out the back of the barn naked.

Boom. Boom. Two shotgun shots that hit nothing but the balmy summer air. In the meantime, Eugene’s father had caught him by the back of the neck and began to drag him toward the house.

Nearly at the doorstep, Eugene broke free by throwing a wild punch in his father’s face. He made it just into the foyer as another boom! canceled out all other sounds.

As he crumpled to the floor amidst his mother’s and sister’s screams, his mind wandered back to those early twinkling memories. As the blood left his body and his breathing slowed, he once again watched the lights dance along the ceiling and the walls.

© 2015 Alyssa Shelton

***

Alyssa

Alyssa Shelton co-owns a branding and web design agency called Roger That in Portland, OR. When she’s not copywriting for her clients you can find her attempting recipes that never turn out quite right.

Mini Sledgehammer October 2014: “Uncles and Buicks”

Thank you to Daniel and John, who continue to host the Portland Mini Sledgehammers at Blackbird Wine. This month’s winner was Kris Lovesey–congratulations!

Prompts:
Character: The recently departed
Action: Riding Bikes
Setting: By the train tracks
Prop: Pillow case

***

Uncles and Buicks

By Kris Lovesey Kris Lovesey smile shot

Biking across Jacksonville is a great excuse to look like shit.  Shirt starched with sweat.  I look like shit- I smell like a rainbow of balls feet, farts and pits—And I feel great.

If I rode in the beautifully temp. regulated car with my parents I would smell like coffee and stress but I would much rather smell like shit- and acrid eye burning garlic asparagus piss.

It suits me.  It’s my cologne.  My toilet water.  Drier sheets- moth balls.

My uncle was a weird one.  I remember snippets of him laced through my childhood.  He was/is much older than my dad.  He joined the Airforce- got out and flew for Arab families who bought him Rolexes.  He had scattered divorces and kids who don’t speak with the rest of the family.

I remember the gun in his bedside table drawer in Sarasota.  In St. Augustine we visited him in a house trailer.  My brother and I were coaxed outside to collect pine cones.  We were promised a quarter each.

My aunt told me, she was drunk on vodka, he would drown cat babies instead of spaying them.
We were on our way to Sam’s Club.  She pointed to a railway bridge and said he would take the whole litter stuffed in a Goodwill Pillow case- a couple of zip ties, a brick and- out the Buick window.

Our family moved around and these sporadic encounters with family formed all my impressions of the South.

I arrive at church late.  The preacher is going on and on about:  Our Recently Departed.

My uncle Bobby.  They guy lived more in my dreams than in my life… but he’s family and that’s how  my family functions.

-seperate
-Christmas Cards
-Birthday Phone Calls
-The Thanks Giving tradition of fruit cake making- that only lasted for three years.

I was so proud of myself for knowing pine cones were not in fact alligator eggs.  But Hey-
What the fuck did a California boy know about alligators.
They live in Florida- it takes a 45 shot in a quarter sized spot behind their skull to kill one.
You have to pick up their eggs and burn them before they hatch.
You have to kill the kittens.

We are in the dirty South.
This is where I’m from.

This is what I keep on leaving behind me like a dead uncle Bobby.

© 2014 Kris Lovesey

***

Born to a father from South Carolina and a mother from a dairy farm in England.  Growing up around the nicest people and being spoiled on the world’s best chocolates and sweets did as much for Kris’s deep optimism as growing up in divided Germany helped to form a quirky outlook on life.  Kris’s story begins as an American Air force brat surrounded by giant military trucks and transporters, fleets of F-16s and other jets, and the calm German village.

After moving around a lot and finishing an arts degree at Bowling Green State University Kris continued moving with stays in: New Zealand, South Korea, Japan, as well as Southern California, Florida, and the Pacific North West.  Portland is where this author currently resides  while writing fiction and non-fiction.  Kris floats between cultures, countries, and scattered friends and family- seemingly sucking nectar to feed and indulge the curiosity driving this boheme-cosmopolitan.

Lightheartedness is seen in everything Kris.  The fictional stories weave our world with colorful threads- beautiful and crass.  Narratives drag us all the places one never knows to look for on a map or in our imaginations.  The characters will remind you of fantastic qualities of man which surround us.  Non-fiction works by Kris are brash “how to” get what you want out of life guides.  These deal with traveling and living abroad and the advantages and hurdles.  The life experiences salt and pepper and offer a new pair of glasses to view the world.

Kris draws literary inspiration from the wonderful worlds of Roald Dahl and Haruki Murakami, and peacefulness/spiritual tones of Hermann Hesse and Patrick Suskind.  This makes a down to earth and honest author who is a pleasure to read.  Pick up Kris’s books right now and meet the characters and real life people to lighten up your day.

Mini Sledgehammer September 2014: “The Vacation of a Lifetime”

Thanks to everyone who came out for 36 minutes of writing competition in September! Congratulations to winner Kent Nightingale.

Prompts
Character: An imposter
Action: The moon
Setting: Starting over
Phrase: “Don’t tell me…”

***

The Vacation of a Lifetime

by Kent Nightingale

“Don’t ever tell me this wasn’t exciting enough for you, Dale.”

“Okay, Chuck, I’ll try to keep that in mind. Honestly I thought there would be more mountains and caves in this place. It’s kind of like Kansas.”

“Well shit, I don’t know what to tell you. Next time we’ll buy tickets to Jupiter. I hear the weather there keeps one guessing.”

Flights to the general public had gone on sale in 2024, but it was another ten years before Chuck could afford two tickets to the moon, wealthy as he was. He was a practical guy in that sense. Always shopping for a bargain. He’d have bought a one-way ticket if it were more cost effective. Funny thing is, even in a far out place like the Earth’s only natural satellite, a tourist is a tourist. They began their days swimming in the hotel pool, gazing out the impressive walls of glass into the blackness of space.

After breakfast, a menu of UFO cakes and Marshan juice, they waited in the terminal for their daily tour. A vehicle not so different than a minivan, with enormous treaded tires, set forth on highway L62. Traffic was a bit thick getting out of Portland, the moon’s largest city, but once they got on the open road, the perspective was impressive indeed.

“You know,” said Chuck, “for years I’ve had the notion that I’ve wanted the chance to start over. I really feel this trip might be a turning point for me, now that my divorce is over with.”

“It is” Dale replied. “It really is.” This meant a great deal to Chuck, as there were few people on Earth, or elsewhere for that matter, that knew him as well as Dale.

Though English was the official language of the moon, few of the service staff were fluent, so the men reached for their headsets, to receive the audio portion of their tour.

“Ahead you will see King’s Crater, a place any man could call home. Inside it’s underground bunker are all the essentials a human requires to live in health and harmony. Most individuals find themselves well-adjusted within a month.”

Chuck removed his headphones and grabbed Dale by the arm. Inside his heart an alarm was sounding.

“I would have told you if I could,” Dale whispered. “I couldn’t come to live here by myself, with not a friend in the world.”

Chuck only stared ahead, his face devoid of any expression.

© 2014 Kent Nightingale

***

profile_pic_2013Kent is a musician, songwriter, and outdoor enthusiast from Portland, Oregon.

Mini Sledgehammer June 2014: Blackbird Wine & Atomic Cheese

Sledgehammer founder Ali McCart got to host her only Mini Sledgehammer in Portland for the year this month. It’s great to be back, Portland! Thanks to Daniel Granias and J.B. Kish for coming out.

Here were the prompts, no doubt inspired by things Ali missed about Portland:

Character: A bike rider
Action: Receiving a message
Setting: During a summer storm
Prop: A guitar

Congratulations to J.B. Kish for taking home the prizes. Love the intensity in this piece!

***

What Comes Next?

By J.B. Kish
“A-sharp. G. Show him, Allison, show him.”

Allison, breathless and clothes sticking to her paper-like skin, repeated her mantra, riding the ten-speed up the lonely saguaro-riddled highway with strange determination. The monsoon rain was biting at her neck, the summer storm overtaking her faster than she’d thought something naturally capable. Here she was, a thirty-two year old bicyclist from Portland, Oregon, terrified for the first time in her life to be riding a saddle at three in the afternoon.

“A-sharp. G. Show him, Allison,” she barked to herself. “Show him you can do this.”

She kicked the pedals down, allowing the pendulum of momentum to suck her heels upward, then she repeated this process again and again. Soon, the rain came in horizontal sheets and slapped against the cracked pavement rhythmically. In a matter of seconds, her picturesque view of the Catalina Mountains was swallowed by gray—what was it, clouds? Fog? She focused on the road in front of her—the only three feet she could make out between eyelid-soaked blinks and bursts of air she ejected from her bottom lip in an effort to shake free her face from that unavoidable soaking.

“A-sharp. G.”

She plucked at the guitar strings of her mind, suddenly imagining herself in front of the mirror hidden in her childhood home’s attic. She was holding her father’s guitar in her arms, wondering desperately how to play the song he’d taught her. The one that he played for her when she was afraid to go to sleep at night. Afraid of the monsters of adulthood.

“Think, Allison,” she demanded of herself. “What comes after G. Think goddamnit.”

But she couldn’t remember. The storm yawned once more, spooking her toward the center of the road. A single pair of headlights approached, blinked, and soared past. She thought to herself how close she might have come to death had she accidentally steered in front of the car just moments before.”

“A-sharp. G. Show him you can do this.”

She closed her eyes and tried to shake the thundering clamor of storm. She pumped harder and harder. Running from something she wasn’t entirely sure of. Running from the message she’d received just five days earlier. Running from those words on the voicemail.

“Goddamnit,” she cried, taking a mouthful of rain. “What comes after G?!”

“Straighten your hand, and press here.”

She imagined her father, suddenly sitting next to her, holding her hand in his own.

“It’s important you learn discipline,” he told her, his words that special mixture of warmth and emotionless-instruction that only a father can produce. “It’s important you learn, Allison. I won’t always be here to help you.” He looked at her, his expression flat in the attic mirror.

“A-sharp. G. Then what?”

“Show him Allison.”

“A-sharp. G. Then what?”

“Allison, it’s your mother. Where are you?”

“Straighten your hand. Then press hard here”

“Allison, I’ve called you five times. Don’t make me do this over voicemail.”

“No, press harder here.”

“Allison, It’s your father. The doctors say he fought so hard…”

“Show him, Allison. Show him you can remember what comes next.”

“Allison. It’s your father—”

© 2014 J.B. Kish

***

J.B. Kish

J.B. Kish

Originally from the Southwest, J.B. Kish moved to Portland, Oregon, in 2012. He spends his weekends in a walk-in closet turned office working on his newest novel, A Wall for Teeth and Stingers, and other works. He can be reached at jbkwriting@gmail.com.

Mini Sledgehammer March 2014: Blackbird Wine & Atomic Cheese

This month’s winner, A. L. Adams, used the prompts in interesting ways, and we love the twist this second-person story takes.

Character: The person no one expected
Setting: Where everything is topsy-turvy
Prop: Untied shoelaces
Phrase: Watch your step!

***

Watch your step when you go down to the boathouse. In the winter, the stairs are frosty; in the summer the top ones are mossy and the ones at the waterline are often beslimed. If you want me to escort you, Nan, I will.  I’ll hold your and and slip my arm under your elbow to support you as we climb.

The boats are closer now; the tide is higher so they make free with more of the space. The Tollycraft wears a green visor; the tugboat’s got that brick­red stripe, designed to disguise whatever rust. No, Nan; we’re not getting on them. Yes, Nan, they are “quite a sight.” The trees? We could cross the bridge to see those trees, but remember? You didn’t like that last time. Yes, Nan, the rocks are dirty but no, we can’t clean them. Those are barnacles. See how they’re so stuck­-on?

Now let’s go in the boathouse so you won’t get too cold. We’ll open the door so you can still see the boats. This door seems stuck—no, i’m creaking it open…Hey. Everything’s in disarray. The ropes are unlooped and flung like shoelaces. Our little skiff is turned halfway over, gagging on water. The other boat…Another boat? We don’t have one! But there it is, another boat, hull­up on the concrete walkway like a space invader’s pod. Wait…I know that boat. Oh, God! It’s rolling over!

Dad?

Oh, God; how long have you been here? We didn’t know your sentence was up.

What the fuck do you mean, “It’s not?” Pardon my French, Nana, but Dad. What the FUCK.

Nana—no, it’s okay Honey. This is Wallace. Yes you do. Your son.

Dad. Fuck. We never saw you, okay?

We’re just…okay okay. Nana Honey? We saw the boats and now we’re going. That’s it; very good. I’ve got your hand, Dear.

Watch your step now as we go up these stairs.

They can be slippery.

Yes. I know.

©2014 A. L. Adams

 

A. L. Adams daylights as an art spy for the Portland Mercury and Oregon ArtsWatch. She moonlights as many things, and has more than a few stories.