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“The Long Haul” by Rachel Lombard

Character: Police station clerk
Action: Tightening a knot
Setting: A meeting for a subversive group
Prop: Decorative songbirds made from vinyl records

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The Long Haul

By Rachel Lombard

Seventy-two hours. The address on the last bill of lading read Port of Long Beach and he was in Baton Rouge. He had seventy-two hours to complete the haul and arrive at the park on time. He went over the route in his mind as he did the pre-trip inspection. About 1,800 miles. He could get there and back by Sunday, even allowing for plenty of downtime. But he didn’t care about the ride back. He cared about only one thing. Being at the park at 3:30pm on Friday.

To make this unusual pit stop happen, Lou was finally going to use some of the vacation time he’d accrued over the years. He’d never taken any before. His boss thought he was a machine, but the truth was that he worked to forget. Every minute he was on the road was one minute not spent sitting in that silent apartment being reminded that there was nothing and no one to stay home for. So he had never taken the time that was owed to him. Not until now.

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“Two in the Hand” by Melinda McCamant

Character: Police station clerk
Action: Tightening a knot
Setting: A meeting for a subversive group
Prop: Decorative songbirds made from vinyl records

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Two in the Hand

by Melinda McCamant

The common house sparrow isn’t flashy but it is prolific and inquisitive. Like most birds they mate for life. Like people they flock to cities. I like the possibility of birds, that if I understood their song I could learn their secrets.

A couple of sparrows used to come to my open window every morning to snack on the seeds I scattered there—so small and delicate, like children. As I sipped my coffee I watched them snatch up sunflower seeds with their beaks and toss the shells into the tangle of flowers two stories below. Once I gained their trust they would come inside, hop onto my kitchen table and cock their heads in cautious greeting. They were my conscience and my companions, my Jiminy Crickets that probably ate crickets. It’s too bad I had to kill them.

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“Birdsong” by Kerrie Farris

Character: Police station clerk
Action: Tightening a knot
Setting: A meeting for a subversive group
Prop: Decorative songbirds made from vinyl records

***

Birdsong

 by Kerrie Farris

“Reilly, what are you doing?” Her mother called through the thin wall between Reilly’s bedroom and the living room.

“Homework, Mom.”

“Ok. Don’t leave the house. I’m going to lay down for awhile.” Her voice was a tired warble.

“Alright. Is there anything to eat?”

“You can microwave yourself a TV dinner. That’s what I’m going to do, later.”

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“Hooliganism” by Kait Heacock

Character: Police station clerk
Action: Tightening a knot
Setting: A meeting for a subversive group
Prop: Decorative songbirds made from vinyl records

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Hooliganism

by Kait Heacock

In the basement of Dana’s house, she and her girlfriend Jay had converted the rec room space next to her bedroom into a practice room for their as yet untitled band. They moved the couch and recliner back towards the wall to clear space for the drum set, guitars, microphones, and amps they planned to buy. They put posters of their favorite bands on the wall for inspiration and brought Dana’s mom’s record player downstairs. Dana’s mom even loaned her old acoustic guitar, which was the only instrument they had to fill the newly emptied space.

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“Blue Hair and Songbirds” by Joaquin Lowe

Character: Police station clerk
Action: Tightening a knot
Setting: A meeting for a subversive group
Prop: Decorative songbirds made from vinyl records

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Blue Hair and Songbirds

by Joaquin Lowe

Seamus Mcaffey was an ordinary cop. Actually, he was a station clerk—a secretary—but he was the son of an ordinary cop. He kept his desk immaculate and sparse: coffee mug of sharpened number 2 pencils, stacks of forms, organized by frequency of use and color, a keyboard, and a monitor that always showed a half finished game of minesweeper, the timer stuck at “99”.

Seamus could never be an ordinary cop like his father, or his father before him. He was tall, wide shouldered; yoga made him lean and strong. The female officers cat-called him to show off his stomach—perfect even with the constellation of dangerous looking moles—and he blushed a deep shade of red that made the women laugh amongst themselves as they walked away. Seamus looked the part of the beat cop; in a different time he may have even been a strong-jawed detective who played by his own rules but always got his man. Seamus looked the part except for one thing. Seamus had blue hair.

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