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A Nice Package

A Nice Package

by Team Knipper: Chloe De Segonzac and Lani Jo Leigh

Mrs. Florina Assumption tugs at the waistband of her full skirt. Made more than twenty years ago, it is unlike most goods manufactured these days, and has faithfully withstood the test of time. The forest green has not faded, and the gathers still fall neatly over an expansive derriere. But elastic in the waistband has stretched beyond the limits of its flexibility, and it pinches Florina’s love handles. At least that’s what her dear husband, God-rest-his-soul, Mr. Harold Assumption used to call them before the Lord saw fit to take him to heaven on the wings of a brain hemorrhage.

Of course, that was eleven years ago, and now Florina cares for neither love handles nor love. Retired from teaching English at Our Lady of Perpetual Misery parochial school, Florina spends her days keeping house for Father Joseph Poker at the rectory of Our Mother of Perpetual Help.

Washing up, cooking, a little mending—days are busy and full. Florina ties the strings of a black and white polka dot apron over the ample folds of her sensible skirt. She likes having a man to take care of, especially one who doesn’t require any ministration to the fleshly desires. Not that there’s anything wrong with it, of course. A place for everything and everything in its place, Florina is fond of saying. But she’s happy Father Poker has his mind on spiritual matters. How are you today, Flo, my dear, he says. How are those grandchildren? Anything weighing on your heart? She likes the way he says grace before meals and asks a blessing on the hands that prepared the food. Her hands, her heart, her family, her food. That’s what Father Poker cares about.

Father’s been away in Mexico for a month-long retreat, and Florina has missed his company. He’s coming home today, and this morning Florina got up early to decorate the foyer with flowers and a three-foot high banner. Finished with lunch and all her morning chores, Florina paces the floor wondering how she can keep busy for the next few hours before Father Poker arrives. What you need, she tells herself, is a nice cup of tea and a good read.

Florina puts on a pot of water for tea, samples one of the tasty cranberry scones she baked yesterday, and after tidying up a bit, sits back in the comfortable wing chair by the fireplace. With swollen feet elevated on the matching ottoman and reading glasses squarely on her face, Florina is ready to enjoy one of the many romance novels dropped off for the Ladies’ Bazaar, a huge fundraiser for the festival. She has no intention of buying the book, but figures it can’t hurt much if she thumbs through it. After all, it’s already used. Tumescent Summer takes place in Savannah, Georgia in the spring of 1858. Florina has long had a secret crush on Brent Tarleton, and the picture on the front cover looks just like the actor who played him in Gone with the Wind.

Just as she settles in with a half-dressed blond Adonis jumping down from a sweaty thoroughbred, Florina hears the doorbell. Because Father refuses to wear a hearing aide, the sound is amplified ten fold. Even music as beautiful as Ave Maria can be jarring when it’s played at the same volume as a vacuum cleaner, and Florina jumps at the sound. What you need is a nice set of earplugs, she thinks.

The doorbell rings again. “I’m coming, I’m coming,” Florina shouts.

She lumbers to her feet, spilling a bit of tea. As she places Tumescent Summer on the small side table, she realizes Earl Grey has fallen all over Loreli in the flashy blue dress. She wishes Brent would take Loreli away from her violent husband to live with him on Sea Island. Loreli deserves a little happiness after all. “Wait, am I rooting for Loreli to break her marriage vows?” she wonders a bit scandalized.

Strains of Ave Maria peal through the house a third time like a fire truck on its way to a three-alarm fire. “My goodness, who can that possibly be?” Florina frets. “The entire parish knows Father won’t be home until tonight.”

In the entryway, Florina pulls aside lace curtains covering a large pane of beveled glass in the center of the door. She spies the torso of a deliveryman through slatted blinds. The blinds are covered in thick dust, and Florina brushes aside the unwelcome notion that she should be dusting instead of reading.

Pulling back the heavy oak door, Florina squints through the screen door, also thick with dust, and takes in the man in brown.

“Can I help you?” she asks. The sound of her voice is lost in the squeaking of the screen door as it is cracked open.

“Package for Joseph Poker, “ the deliveryman sighs. This is his tenth and last delivery of the afternoon, and he’s ready to dump the truck, finish his paperwork, and hook up with Fred and Mark at the Winking Lizard for Happy Hour.

“Sign here, ma’am.” He hands Florina a cardboard box the size of a waffle iron, and holds out a clipboard.

Florina takes the box in her left hand, but keeps the right in the pocket of her apron along with her rosary. Peering at the address label through her reading glasses, she asks, “Joseph Poker? Do you mean Father Poker?”

Jesus, Mary, Joseph, what does it matter, the young man thinks. Before I hit the bar, maybe I’ll stop at home first. What you need is a nice piece of ass, but you’re not going to get one without a cool shower. The day has been a scorcher, temperatures in the high nineties, and he realizes he smells like sweat and sunscreen. Not exactly a winning combination if humans of the female persuasion are hanging out at the bar.

“Ma’am, the package don’t say nothing about no Father. Sign here.” He holds the clipboard out to Florina once again.

Only two years out from high school, the young man clearly remembers better ways to spend summer days than driving around in a UPS sweatbox. He and Mark and Fred would spend hours on the Sandy at the spot up river where a large oak extends its branches almost clear to the other side. They would climb the tree, crawl out on the longest limb and jump into a pool so deep and cold it would knock the breath right out of them. The girls in their bikinis would laugh, their bodies felt hard and soft, warm and cool, the sand in the blankets scratched, the air was thick with the scent of coconut oil and Pink Sugar, and . . .

“Wait a minute. Aren’t you Billy Eveready? Yes, yes, of course you are. I would know that dreamy expression anywhere. I’m Mrs. Assumption. Sixth grade? Our Lady of Perpetual Misery? Billy, don’t tell me you’ve forgotten your old teacher. Although it’s clear you’ve forgotten the proper use of English grammar.”

“No, Mrs. Assumption, I haven’t forgotten you. Nice to see you again.”

Billy can’t believe his bad luck. Mrs. Assumption always had it in for him. Billy, sit up straight. Billy, your penmanship is atrocious. Billy, one more remark like that and you’re going straight to Father’s office. What you really need is a good stiff drink, he decides.

“Mrs. Assumption, I would love to stay and chat, but I’ve got to get going. Can you sign for the package, please?”

Florina glances at the box in her hand. “But look, Billy, it’s crushed. I can’t sign for Father if I’m not positive the contents are OK. Come in while we open it. It’s hot outside. What you really need is a nice glass of apple cider.”

“Gee, Mrs. Assumption, that’s awfully good of you, but I really have to get going. They keep tabs on us, you know, how long it takes us to make a delivery and all. I’m sure the package is fine. It’s not marked fragile. Just sign here, please.”

“Well, I certainly hope there’s nothing breakable in this box or you’ll have to replace it.” Florina gives her rosary a squeeze, and removing her hand from her pocket she takes the box in both hands and shakes it next to her ear. “I am not signing for this until I’m sure it’s OK, so you’re going to have to come in and wait until I open it.”

Billy scratches his head. Can she open the package without signing for it first, he wonders. He’s only been on the job a couple of weeks, and he doesn’t know all the rules. Maybe he should call the office. But before he can voice any reservations, Florina is on her way to the back of the house.

“Well, don’t just stand there. Come in!” Florina calls over her left shoulder.

Billy takes the first step into the house, and ducks his six-foot frame under “Welcome Home, Father.”

“Stop right there, Billy Eveready. I just waxed those floors. With Father coming home tonight and the Cardinal coming tomorrow for the festival, no dirty shoes are going to mess them up for me. Certainly not yours. So take your shoes off,” she yells back without turning around.

Billy closes the door, takes off his shoes, and lines them up on the shiny fir floors underneath the table with flowers. Stilly carrying the delivery sheet clipboard, he follows Mrs. Assumption through the spacious living room down a dimly lit hallway back to the kitchen. Florina places the box on a long wooden table in the center of the room and retrieves a pair of scissors from the top drawer in an antique sideboard on her right. Looking down out the package, she pushes half glasses up her long nose.

“I really gotta get going, Mrs. Assumption” Billy says with the urgency of a third grader needing a bathroom.

Once again, Florina loves playing the part of teacher, ignoring the upraised hand. “Sit down, Billy, and be quiet while I open this package. Then you can go your merry way.”

Billy reluctantly takes a seat at the end of the table with the clipboard in his lap. “But Mrs. Assumption, they don’t like us to come in for more time than it takes to get a signature.”

“Oh, Billy, you never could sit in one place for very long,” Florina says pointing the scissors in his direction. “Let me get that glass of cider for you. One of the ladies dropped a case off for Father Poker just the other day. He won’t care if you have some.”

Florina sets the scissors down on the table next to the package. Excited to be once again in her element—teacher and student, host and guest—she goes to the fridge and pulls out a bottle of imported Normandy cider. Taking a quart jar from the cabinet to the right of the kitchen sink, Florina fills it with cold hard cider. “Have you been to that new restaurant on Ankenny? It’s called Summer in a Jar. They serve everything in jars—clam chowder, Caesar salad, Grandma’s pot roast. I guess it saves on dishes.” Florina sets the cider in front of Billy. “Now let’s see to this box.”

The return address on the box is smeared, and there is no indication of its contents. Florina slices through the packing tape until she separates the top four cardboard flaps, but sees only Styrofoam peanuts.

Just then a large crash and the insistent mewing of a cat in the next room diverts Florina’s attention. She turns her head toward the living room.

“What’s that cat up to now? Billy, drink your cider. I’ll be right back.”

Florina has been in continuous battle with the white cat Father Poker recently adopted. He’d spent months pretending the cat was just visiting, but every day he would pour a bit of milk into a saucer, open the back door to the garden, and make little “shhh, shhh” sounds until the cat came into the kitchen. With its tail as straight as a broom handle, the cat would show its appreciation by wrapping the entire length of its body around Father’s legs, leaving his pants white with fuzz.

“Flo, my dear,” Father Poker said. “I think we should officially welcome this cat to our home. What should we name him?”

“Lucifer?”

Father Poker let out a hearty laugh. “ I don’t think I should be heard calling for Lucifer day and night. Let’s call him Jonah.”

Florina walks quickly through the dining room looking for the cat.

“There you are, Jonah. What did you get into now?”

The cat starts purring at the sight of Florina, for no matter how much she cursed him, she also was comforted by his companionship during long days spent alone. And as for the trouble, Florina doesn’t need to look much further than the cat’s whiskers. The potted palm tree is on the floor, with pieces of the orange glazed pot scattered about. The poor plant seems to have broken a few of its large leaves.

“Oh you are such a pest,” she says, shooing the cat into the next room.  Florina’s torn between going back to the kitchen or cleaning the mess, but decides it’s best to attend to the broken plant right away and prevent a possible stain.

“Billy?”

“Billy, can you hear me?”

“Yes, Mrs. Assumption?”

“Be a good boy. Open the box and check that nothing’s damaged.”

“OK, Mrs. Assumption, but then I really gotta get outa here. My boss is expecting the truck back.”

Florina ignores Billy, and walks out the side door to the small shed adjacent to the main house. She returns to the house with a bag of potting soil, a little trowel, a broom and dustpan, and a five-gallon bucket to collect the broken pieces and the spilled dirt.

Billy listens to Mrs. Assumption walk back and forth. How long is this gonna take, he wonders. He chugs back the jar of cider and immediately feels flushed. Whoa, that’s some cider, he thinks. I wonder what’s in it?

“Mrs. Assumption, what do you want me to do with these peanuts?”

Florina gingerly kneels down on arthritic knees and delicately gathers broken pieces of the pot to deposit into the bucket. “Just put them in the garbage can under the sink.”

Billy opens the cabinet underneath the sink, pulls out a blue plastic garbage can, and begins dumping Styrofoam peanuts into it until he is left staring at a flat plastic package. Inside there’s a business card edged in gold with text in large block letters. Billy reads the three lines with an ever-increasing sense of anxiety.

Life-size Virgin Mary

Cyber-skin, Natural Hair

Selected for your Personal, Private Pleasure.

Underneath the card he sees the outline of a face with blue eyes and ruby red lips that even Angelina Jolie would envy.

Still on her knees Florina starts sweeping the dirt. “Billy, are you still in the kitchen?” The white cat leaps at the bristles of the broom in motion, and the dustpan spills its contents.

“Yes, Mrs. Assumption, and umm, I…”

“We should have called you Lucifer. Now, be on your way. Well, go on,” and she gives the cat a little tap on his backside.

“Are you speaking to me, Mrs. A?” Billy asks.

“No, yes, well, what’s in the box?”

Florina gets up from the floor, holding on to the dinning room table with one hand, and pushing on the broom handle with the other.

What you really need is another glass of cider, Billy thinks. “It’s a . . . uh, well it’s a . . . balloon? Of the Virgin Mary?”

“Did you say a balloon of the Virgin Mary?” Florina’s voice sounds incredulous.

“Well, umm, I’m not quite sure what . . .”

“Billy Eveready, is it or is it not a balloon? Should I come and see for myself?”

“Yes, NO, no need, Mrs. Assumption, the card definitely says Virgin Mary.”

“Oh, how lovely. I bet Father ordered it for Our Lady’s festival this weekend. Let’s make sure there are no surprises at the last minute.  Why don’t you blow it up?”

Taking another look at cyber-skin Mary, Billy wants to bolt. “Mrs. Assumption, I’m sure it’s fine. You know, I really gotta get going. My boss is probably wondering where I’m at. Won’t you sign the delivery sheet now?”

“Billy, I’ll be happy to sign it once we know the balloon wasn’t punctured by your carelessness.”

Silence reigns from the kitchen.

“I really don’t want to upset Father Poker,” Florina continues. “If he ordered it special, he must be anxious to have it. It won’t take long, I promise.”

Billy hesitates before saying yes. What an old biddy. Even after eight years, she’s still pulling my strings. Well, I might as well get this over with so I can get outa here. “OK, Mrs. Assumption, but I really gotta go after this.”

Florina exhales. Billy’s been quite a big help with this unexpected chore. I think we’ll put it up right away—a nice little treat for Father when he comes home. The palm is back on the little table, centered on the white doily Mrs. Pointsetter gave the rectory last Christmas. As Florina walks to the side door carrying the little trowel, the broom and dustpan, and the five-gallon bucket now filled with broken pottery, spilled dirt, and the empty potting soil bag, she thinks about this weekend’s festival for Our Lady of Guadalupe, and her trip to Mexico the previous year. She had loved the fruits offered to her every morning, the warm sun, the wonderful Christian devotion, but most of all she had fallen in love with the painting of Our Lady, with her cerulean mantle and gold trim, the little gold stars surrounded by golden sunrays. She chose a print to bring back with her with the inscription “Let not your heart be distressed, are you not under my protection?” and she rereads those words everyday on her way out into the world.

When her eye catches the empty vase in the middle of the dining room table, she decides to take it out to the garden with her. The flowers in the foyer are so pretty, she muses, it would be nice to have them all over the house.

“Billy, I’m going out in the garden. I’ll be right back. Hurry up with that balloon. I can’t wait to see it.”

Billy lifts the plastic package out of the box and pulls apart the top. He prides himself on his familiarity with female bodies. As he removes the cyber-skin body, Billy knows this is different. So life-like, yet . . . yet not life-like at all.

It’s creepy, that’s what it is, he decides. The “natural hair” is glued to the top like an old man’s toupee, and Billy fights the urge to laugh. He locates the mouthpiece inside a dark brown circle on the left of the torso and starts to blow. I don’t think Father intended this for the festival.

The two legs pop out first, toes painted in a French manicure. Great, Billy thinks, perfect for a virgin bride. And now as the arms fill with air, they open wide as if ready for a crucifixion. Billy suppresses a giggle and hopes God doesn’t smite him dead for being so sacrilegious. He looks down and realizes that the “natural hair” is naturally located on other parts of the body, too. Just above Mary’s painstakingly, anatomically true-to-life private parts. And like many of his former girlfriends, the hair colors on top and bottom don’t match.

This time a burst of laughter echoes through the kitchen. Billy knows he’s feeling more that just the effects of the cider. He’s probably hyperventilating from blowing up Mary. He’s dizzy. Man, I should be feeling this way after leaving the Lizard, not before.

Florina returns from the garden with a large bouquet of pink and red roses, yellow sunflowers, purple Japanese irises, and white Asters. “What’s so funny in there, young man?”

“Nothing, Mrs. A. I’ve got the balloon all blown up. No punctures anywhere. Do you want me to let the air out now? Can you please sign the delivery slip?”

“I’ll just be a few more minutes, doll. Would you mind hanging the balloon in the entrance with the other decorations? You can find string in the top left drawer of the sideboard. I’ll come and sign the slip in a flash of a lamb’s tail.”

“Are you sure that’s what Father wants?” Billy asks.

“Yes, he’s expecting this, don’t worry Billy, and I’ll give you all the credit.”  She lowers the vase on the table careful not to spill the water. Pleased with herself she walks back to the side door and locks it.

“All right, whatever you say, Mrs. Assumption. And please, I don’t want credit. Don’t mention my name.”

Billy plugs the stem so air can’t leak out, and then cuts a few feet of string. He feels funny about leaving Mary naked. I thought these things usually came with some clothes, he murmurs. Maybe they’re coming in another box. What you really need is a nice bathrobe like my mother’s. Still it’s not right to leave her like this, he decides, so he takes off his brown UPS shirt, removes his undershirt, and threads the life-size doll’s arms through its sleeves. Billy’s embarrassed by his sweaty armpits even in front of this female impersonator, and as he tugs the damp undershirt over the doll’s torso, he sees a bit of pubic hair peeking out from underneath. Well, I guess that can’t be helped, he thinks as he takes the length of string and ties a monkey hitch around the waist.

Billy passes the dining room and hears Mrs. Assumption still puttering with the broken palm fronds. In the foyer he ties the doll to a coat rack under the banner. There, Father Poker’s gonna get quite the homecoming.

He retreats back to the kitchen, quickly throws on his uniform shirt, and grabs the clipboard, taking it to Mrs. Assumption in the dining room.

“No leaks, Mrs. A. And the balloon is hanging up by the banner. Just sign this and I’ll be out of your hair.” He hands her the clipboard, which she finally signs.

He must have gotten awfully hot blowing up that balloon. For the first time Florina notices Billy’s curly chest hair, sweat glistening on his neck. She blushes thinking of Brent on the cover of Tumescent Summer. “Thanks, Billy, you’ve been a big help. Make sure you send my regards to your mother.”

Through the sheer curtains covering the dining room, Florina watches the UPS delivery truck pull away and out of view. She scans the room to make sure nothing is out of place. Hearing the sound of a car engine close by, she wonders if Billy’s forgotten something. I did sign that damn slip, didn’t I? She glances out the window, and sees nothing. Relieved to have the house to herself again, she decides to make a final walk-through to inspect the house before Father’s arrival.

Let’s see how the Virgin looks, she thinks as she walks down the hallway toward the foyer. I bet Father will be tickled pink.

A few steps away from the entrance, Florina looks up and sees a wet t-shirt clinging to a shapely derriere. Two pink legs dangle directly above her lovely arrangement of white lilies. Her breath is caught midway between her diaphragm and throat. Blood rushes to her face. Florina gasps. Then a loud cry escapes from her lips as the front door begins to open.

© 2010 Chloe De Segonzac and Lani Jo Leigh

Mini Sledgehammer: August 2010

We had a thin crowd here this month, but four of us here still had a good time writing. Congratulations to Elissa Nelson, whose story took home the prizes!

Prompts
Character: a new neighbor
Setting: locked out
Action: playing the cello
Dialogue: “busier than a one-armed paper hanger”

Julie is writing frantically, with a nine a.m. deadline in the morning, nine a.m. east coast time so this really has to get done now. It’s one of those articles you take because you need the money, and then you think So this is making a living from my writing, using my gift, my talent.

She interviewed a woman who’s started what is essentially a pyramid scheme, but the woman, Phyllis Camera, calls it entrepreneurial, and it’s for WorkingLadies.com, so it’s entrepreneurial, it’s not a pyramid scheme. If it was for Fortune, or Ms., it might be about pyramid schemes and using feminism and capitalism to prey on poor mothers who feel they should be full-time moms and have successful careers, simultaneously. She could tell them that’s not possible, but nobody’s supposed to tell them it’s not possible.

Phyllis is an older lady, and no, her last name isn’t Camera, it’s McManus, but Camera goes better with her business concept, which is about using adorable photos of children and pets to create serieses of postcards for all occasions.

Julie is trying to wax super-positive about the postcards—the story will be accompanied by a selection of images, including several of children in sweet and homemade costumes ranging from bumble bee to carrot (with the green top, of course—she had to look it up because what do you call the green top part? carrot greens of course). She’s crafting a description that includes “entrepreneurial and forward-thinking, without losing the caring vision of a loving mother, the vision which makes Mrs. Camera’s postcards endearing and universal” when the doorbell rings.

She doesn’t answer it. It’s eight p.m., she plans to stop for dinner once she finishes the rough draft—seven hundred words to go—but she can’t answer the door right now, she’s as much in her groove as she ever gets when she’s doing this kind of work, she has to stay in the groove, shallow as it is. Any little thing could bump her out, way out—

But the doorbell rings again. And then it rings again. And then a voice she doesn’t recognize yells, “Hello? Hello? Sorry if it’s not a convenient time but it’s freezing out here and I’m your neighbor, please help!”

She keeps writing. There’s other neighbors, it’s not like they live out in the country. This is Portland.

The doorbell rings again. “Please, I just need to use your phone. Nobody’s home over to the other side and they didn’t answer the door across the street and when I peeked in I saw there was just a little kid and I didn’t want to make some little kid home alone open the door for a stranger so I just came here. I know you’re home, I can see you out the side window typin’ away. Type type type. Please. Give me two minutes, let me in and I’ll use the phone and then I’ll sit quiet and wait for the key guy.”

Julie gives up. She might get more done once she opens the door than she’s getting done now.

She opens it. There is a very tall woman standing there. She adjusts her view. She realizes you open the door for a woman looking within a certain range of vision, and she had it wrong, because this woman must be over six feet.

“Hi, I’m Lydia,” says the lady. “I’m your neighbor.”

“Hi, Lydia. I know. I heard. You need to use the phone. I’m Julie and I’m on deadline and I’m way behind so please come in and use the phone but I have to keep working or I won’t get any more work from this magazine and you know how times are.”

Shit. She said too much. “Magazine! Wow! What kind of magazine! Gosh, you’re a writer. That’s great. I used to be a writer. I won first prize in the prose essay contest in ninth grade, it was in the yearbook and everything. I got a hundred dollars for writing an ad slogan once too, that was just ten words—the maximum was twelve words, did you ever know those slogans have to be so short? The slogan—it was for this dog food company, you’ve probably never heard of them, they went under pretty soon after my ad ran but not before they paid me my money—the slogan was Even Johnny loves Carnivore, the all-meat food for dogs! And there’s a picture of my son and his dog, Petey, and the caption says, Johnny and his dog, Petey, and Petey’s eating out of his bowl, and Johnny’s eating out of the can, and you can see it says Carnivore.”

Julie’s been holding the phone out since the part about the yearbook.

“Lydia, that’s fascinating, and I’d love to hear more after I finish this article. But really, right now, I’m so sorry, here’s the phone and I have to get back to work. Just let yourself out when the locksmith gets here. We’ll have to have tea sometime soon.”

“Thanks Julie. Sorry, Julie. Except I don’t drink tea, I only tried that chai stuff once and I broke out in these disgusting hives, all over my body, seriously all over my body, and the doctor said it was because chai has tea in it, and sometimes people are allergic to tea, and hives are a common reaction—“

“I’m sorry, Lydia, I HAVE TO GO WORK.” Julie doesn’t want to raise her voice but it’s a natural reaction when someone doesn’t seem to hear you.

She gets back to the article, is writing about Phyllis’s first customers and how they became her business partners, when she realizes Lydia is talking again. “He said I’d be busier than a one-armed paper hanger and I’d never heard that expression before, I thought it was something dirty, I don’t know what I thought he said, but I clocked him with the arm I always use to clock people except this time it wasn’t just my arm, it was my arm in a cast. Anyway I play the cello all the time except I couldn’t hardly at all that summer. Eventually I figured out how to move my fingers around but—“ she shakes her head.

Julie keeps writing.

“I mean, what do you do, you play the cello, it’s your artistic outlet, your calling, what do you call it, your vocation, the thing you do that’s meaningful, and are you going to let a broken arm stop you? Tom said it was too bad I didn’t break my face, but I told him if he talked like that I’d put a restraining order on him, and he said maybe that way he’d get some peace, and his nose was bleeding the whole time because I’d hit him so hard, back-handed, which isn’t such a big deal when your arm’s not in a cast.”

“Lydia, I’m going to have to ask you to wait on the porch if you can’t be quiet.”

“It’s thirty degrees!”

“I have to get my work done.”

“I wasn’t bothering you! You were still typing away!”

“Lydia. There are some magazines on the coffee table in the living room. Please, take a seat in the living room—the couch is really comfortable, or the rocker—have a seat and peruse a magazine.”

“You’re trying to get rid of me.”

Julie does not answer. She keeps writing. “Of Phyllis’s first three business partners, Helen chose to retire after she made a hundred thousand dollars, since her husband is independently wealthy and they decided to move to their summer home in Martha’s Vineyard” (is it in Martha’s Vineyard or on Martha’s Vineyard? that’s a question for the second draft, Julie)

“What the hell kind of magazines are these? You don’t have anything with people on the covers. What’s that about? Not even National Geographic! What kind of magazines do you write for? What are these magazines that just list a bunch of titles?” Lydia is up in Julie’s face.

“Lydia. I need to work.”

“Where’s your TV?”

“I don’t have a TV.”

“You don’t have a TV? Then how do you know about anything at all?”

“Please wait on the porch.”

“I’m not waiting on the goddamn porch.”

Julie doesn’t even think about it—if she thought about it she probably wouldn’t have done it. She clocks Lydia, hard, with her arm which is not in a cast, but she doesn’t back-hand her, it’s a full out fist. She doesn’t think she ever did that before. Lydia’s nose starts bleeding. Julie raises her fist again. “Get out of my house before I call the police.”

Lydia backs toward the door. She spits at Julie and turns and runs.

Julie wipes the spit off with her sleeve, and goes back to her computer.

© 2010 Elissa Nelson

Elissa Nelson is a writer and teacher, currently completing her first novel. She has published fiction and nonfiction in publications including The Sun, Slate, and Seventeen magazine, in addition to making zines since the early ’90s, and she just finished her first zine since 2006: The Hundred Most Influential Writers in My Life to Date, As Best I Can Remember and Mostly Not Including Zines #1.

Mini Sledgehammer: July 2010

This month’s Mini Sledgehammer landed between this year’s odd bouts of heat and rain, so the group took advantage of an evening outside, writing on Blackbird & Atomic‘s front patio. Check out our Facebook page to see photos. This month we also encouraged people who couldn’t make it to the event in person to participate–those stories are also on our Facebook page. We hope you’ll join us, in Portland or elsewhere, at the next Mini Sledgehammer, August 10. July’s winning writer will be one of the guest judges.

Prompts included:
a character with a unibrow and one eye
the action of using a plastic milk crate
the phrase “thanks a bunch”
the setting of behind a picture
Here’s July’s winning story!

***
Behind the picture she’s just pulled down from above her dorm room bed, the wall glistens with the sickly sheen of left-behind poster tape, its residue gunky and clotted. She rolls her own frayed poster up, and stuffs it into the bright purple milk crate on the floor, nestling it inside so that it joins a stack of CDs and a pile of books she will not return to him. Let him discover their absence, when he reaches up onto the bookshelf in his faculty office, ready to pull some obscure tome down, eager to recommend it to some freshman girl who needs her horizons “expanded.” She pictures him scrambling to preserve his air of avuncular-yet-flirty cool, and utterly failing, his five-hundred-dollar words baroque and overcompensating as a one-eyed man with a unibrow. His fingers will fumble, fishing out his back-up bibliographies; he’ll pass them to the provincial newbie with a flourish. “Thanks a bunch,” she’ll breathe, before she knows better, before his own breath will enter hers, before she winds up rolling her posters, and stacking her milk crates, educated now, but utterly weary.
© 2010 Jenn Crowell
Jenn Crowell is the author of the novels Necessary Madness (Putnam, 1997) and Letting the Body Lead (Putnam Penguin, 2002). She is currently a student in the low-residency MFA program at Antioch University Los Angeles, and is at work on her third novel.

Flash Sledgehammer: The Self-Publishing Edition

As Q&A during Ali’s presentation took us to the end of the most recent meeting of the Northwest Association of Book Publishers, we handed out a fun homework assignment: write a story in no more than 36 words and prompted by “I wrote my book because…” Congratulations to Paul Gerhards for his winning piece! He will receive a free copy of Ink-Filled Page Red Anthology and The Self-Publishing Manual.

***

I held the mug under the spigot poking out of the bladder-filled box. What would happen if I sloshed wine into the cup? It would not be the day I stopped drinking. I didn’t. It was.
© 2010 Paul Gerhards

Paul Gerhards is owner of Parami Press, LLC, publishing books from a Buddhist point of view. He is author of Mapping the Dharma: A Concise Guide to the Middle Way of the Buddha. He also is author of a series of six woodworking books published, in a previous lifetime, by Stackpole Books.

Mini Sledgehammer: Floyd’s Coffee Shop

As anticipated, the most recent Mini Sledgehammer smashed through more writer’s block and produced great stories all around. Thanks to everyone who came out and threw a great story into the running. It was a tough decision.

Blythe Ayne took home the prize, which consisted of four books and a calendar. Congratulations!

Prompts included:
a football coach
in a Health & Welfare office
playing a board game
“Can you do one thing for me?”

Last Request

Monopoly is sometimes considered similar to the game of life. But it’s not. Life is really not about money.

Anyway, here I am, at the Health & Welfare office… that’s what they call it, but there’s little health here. Lots of welfare, but little health.

I see my reflection in the front windows, the broken shades have been partially pulled letting in broken shards of light. As much as I’d rather not see my reflection, I do. Even more broken than the window shades, the shards of light. I remember my former self, a big, buff football coach. Now, here’s this shattered reflection – a reflection of a reflection.

There’s a bunch of people playing monopoly, waiting for their names to be called, waiting to get their share of health and welfare. As if either can simply be doled out.

Someone behind me says, “can you do one thing for me?”

I turn. There stands probably the most beautiful woman I’ve ever seen this side of paradise.

Just like in the movies, I look around me to see who she’s addressing.

And I say, “are you talking to me?”

She doesn’t move or say anything.

“Are you talking to me?”

“I can tell,” she says, “you’re a gentle soul. Can you do one thing for me?”

“I… I don’t know. ” No one has asked me to do anything for them since the cancer got my guts and my wife couldn’t stand to watch me fade away and she, mercifully for both of us, left me.

“I used to do things for people every day. But….”

“I know,” she says, since you got sick….”

“That’s right. ” I can’t help staring. Her big violet eyes remind me of something, and I can’t look away. I see a tear course down her cheek. “What, my dear, what? If I can help, I will. But….”

“My son needs his mother, and I can’t reach him.”

“Why not?”

“I got so sick, and I couldn’t stay. I had to leave. Didn’t want to. But… just… couldn’t hang on.”

“So you want me to?….”

“I want you to find him and take care of him.”

“Me? Oh, I believe you’d better find someone else.“

“There’s not one else here. ” Her sad voice rolls around in my cavernous disease infested chest.

All around me, the place is jam-packed with people. But… funny thing, as my eyes pass over the window where I see my reflection, the beautiful woman isn’t standing beside me.

I turn to her. She reads my thought.

“Where are you? What are you?” I ask.

“Here and not here. Between worlds… because of my son. Unfinished business.”

I look up at the “Health & Welfare” sign, contemplating my remaining short journey.

“What kind of power do you have to appear to me, to talk to me?”

“I don’t know… I’ve been looking for a kind person who has the same fractal pattern as my son. ”

The same fractal pattern? “What?”

“Oh, too difficult to explain. But… when you… that is… eventually it’ll be perfectly clear.”

“Never mind.” I look deep into her violet eyes. “Can you trade places with me?”

“Truly?” she asks, shocked.

“Truly. I don’t have much time here, it really doesn’t make much difference to me. You won’t have long, but it’s better than leaving unfinished business.”

In a flash, I find myself inside a fractal pattern, looking through it at the most beautiful woman I’d ever seen, though obviously in poor health, walking out of the Health and Welfare office, with a huge smile on her face.

It fills me with joy as I turn, peering down this new path. I hurry toward a wonderful light at the end of a swirling fractal tunnel.

© 2010 Blythe Ayne