We love the discordant nature of this month’s prompts and the winning story that came out of it. Nice job, Tovia!
Prompts:
Character: A Buddhist monk
Action: Trick-or-treating
Setting: A wine bar
Prop: A car manual
Miami, 1926
by Tovia Gehl
Miami, 1926. This city isn’t real.
Well, it is. It has buildings and roads and trees and houses. Horses clop and cars crash by, splashing in the rainy streets. It’s the kind of place people come to get lost and remake themselves.
Marina is not here for any of that. She has a bag full of contraband, a face as pretty as the day is long, and she walks with a confident air as she descends the plank of her ship. Even the persistent rain and insistent wind doesn’t bother her. Dressed in a white dress begging for a mud puddle to look sidelong at it, she doesn’t stick out any more than anyone else in this city. Still, everyone calls out to her – the rich sugar baron’s daughter is well known here.
I tip my chin at her when I see her and we fall in, two girls linking arms. I tuck my book, a car manual I have little and less intention of reading, into my purse. It barely fits and wrecks the lines of the fine kid leather, but my brother will covet it, so it’s worth a little fashion faux pas.
“Gotten up to any tricks lately?” I ask. I know her – the world knows her – and she knows me, but I have to ask anyway. We laugh and titter like she doesn’t have a heavy carpetbag bursting with sin.
“Only treats, Eliza, don’t be silly.” With the other half of the passcode complete, I start to gently direct our stroll. Our heels click a medley along the paved streets, and we’re careful to avoid splashing in gathering puddles. She lets me lead – the location of our destination changes every time she gets off the ship.
We pass people dressed in all colors and styles. It’s Miami, and it’s 1926, and you can be whatever you want. Any business, any class, any religion. We pass a man dressed all in orange begging on the street, and Marina flips him a coin. “I heard it was good luck to rub the Buddhist’s bellies,” I tell her quietly, and she tells me not to be rude as she gives him another coin and apologizes for my words. Chastened, I silence myself.
I lead the way to the old wine bar as the night gathers. Closed since the start of Prohibition, the windows are boarded up. She raises a perfect brow at me, dark against pale skin in the pool of yellow lantern light. “A little on the nose, isn’t it?” I giggle at her, but flash her a wicked look at the same time. No one pays us any mind. Two girls giggling at each other means nothing, even though we’re tittering about breaking the law.
I take her around the side of the building and into the alley, then down the stairs and through two doors. The men who guard them let us through without a second thought. I’m the key. This is my brother’s place.
Once we’re in the heart of the speakeasy (and out of the rain), Marina unloads her bag. She’s been carrying it like it’s nothing, but as she unpacks bottle after bottle of strong Cuban rum, I wonder how she’s carried something so heavy this far.
It’s just in time too. With the sunset comes the party.
Men and women crowd together on the dance floor. Everyone greets us by name as they come in – they know where the drinks have come from tonight. Dresses sparkle in the orange glow of our lamps. Red fabric shimmers against the wall, and soon the place thrums with the pound of dozens of feet on the dancefloor.
The party goes late into the night. I’m three drinks deep with Marina on one arm and a handsome sailor on my other – I don’t know his name but he knows mine – when I feel my feet get wet. Looking down, I see a few inches of water licking around my heels. Disentangling myself from Marina and the handsome sailor, I say something about a pipe bursting and excuse myself.
Knowing my brother is busy handling the bar, I seek out the source of the leak. I splash through the packed crowd and follow the flow of the water. But it doesn’t lead to any walls. Instead, it is coming from the staircase. I stare up it, barely able to hear the beat of jazz behind the two soundproofed doors, and cold fear seeps into me.
Because the water is flowing down. Our stairs are a small waterfall, and the flow is intensifying.
My instincts scream at me to run, but I force myself to turn back. I push through the doors, fighting the rise of the water that drags at them. People are already staring at the water. “Police!” I scream in the direction of the bar.
There’s an instant, practiced movement. People flood against me towards the doors and I lead them out. This is what we do, well-rehearsed. The water is up to my ankles by the time I reach the stairs, and I’m the first one up.
Which means I’m the first one to see the waves rolling along the lines of the street. Icy panic races down my spine, because the scent of the sea is in my nose, because this is no pipe break. This is the ocean coming in.
Rain hammers down and the fierce wind yanks at my hair. People pour out around me, and I grab Marina when I see her white dress. “High ground,” I tell her. “We must go up.”
The water swirls around my knees now, and roars down the steps in a vengeful torrent. We go against it, towards Miami Ridge. It’s the walk I make each morning to get a proper view of the ocean, and I know it’s the highest point around. I fight my fear for my brother, but Marina isn’t from around her – and if she drowns, her father will cut off our supply of Cuban rum, and our speakeasy will die. My brother would kill me if I let that happen.
We fight our way against the wind and water up the heights. When the ocean finally lets go of my feet, I can see nothing by grey, furious water ahead of me. Looking back, the city of Miami goes dark as the electricity is devoured by the storm.
Marina tugs me into the sheltered space behind a building. “What is happening?”
She asks me. “Are we going to die?”
The question catches me. It’s the same one my brother asked my mother we were on the boat from New York to Miami with our parents, headed south to start a new life. There was a storm then too. “My mama told me everyone dies twice. Once when you stop breathing, and once when your name is forgotten.” I take her face in my hands and attempt a smile. I am drenched, a ragged thing made of salt and fear, but she almost smiles back of me. “We will not be forgotten.”
© 2018 Tovia Gehl
Tovia Gehl is a reader, writer, traveler, whiskey and beer drinker, and animal lover. When she’s not busy with any of those things she works with a law firm learning all the dirty deeds and terrible sorrows of humanity. Ideally, one day she’ll become an author and not just a writer, but right now she’s content with all the exuberant imperfection in her words and life.
Filed under: Mini Sledgehammers | Tagged: Blackbird Wine Shop, Buddhist monk, car manual, fiction, Indigo Editing, Miami, prompts, Sledgehammer Writing Contest, trick-or-treating, wine bar, writing, writing contest |
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